Word: seeing
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Dates: during 1960-1969
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...Since the Harvard Admissions Office has more officials than Radcliffe, we get to see many more applicants," he added. "If Harvard can help Radcliffe by this greater contact...
...Cambridge City Council. "We tried to request the locks from Henry H. Cutler, Harvard's Manager for Taxes, Insurance, and Real Estate, but he told me with a smirk that 'we can't make improvements if we don't get more money out of you people.' We tried to see President Pusey and the Fellows of Harvard, but they talk to no one except themselves...
...film history, as are the time-compression montages of Frederique and Why in St. Tropez. The fact that these films may point the way to a new development in narrative film-making is perhaps secondary to the immediate realization that, like all great art, they teach us to see better...
...discussed monologue is, though a single shot, the purest kind of narrative cinema (combined with Coutard's carressing camera movement and Antoine Duhamel's brilliant score)--as is the long track along stalled traffic ending with corpses on the road. These scenes will become classics, and I don't see any reason why we shouldn't all be the happier...
...sexual abberation, and class distinction had much to do with the ultimate failure of Preminger's struggling protagonists. But increasingly, external dramatic pressures play a less important part--the determining factor becoming instead Preminger's own camera treatment of space, his cross-cutting techniques, his ultimate vision. No one seeing Skidoo can deny that the Mafia threat (central to the plot) is secondary in moving the action to the power of Preminger's decision to control personally the behavior of his characters and the structure of his film, disregarding saner methods of storytelling. The abrupt insertion of musical numbers...