Word: seem
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Dates: during 2000-2009
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...wary of sounding too negative. The last thing a politician wants in a time of economic hardship is to appear as if there's no hope. "If the GOP are too much doom and gloom, that can work to our advantage," says the senior Treasury official. The Republicans seem already to know that. Says McConnell: "As Americans, we are united in our efforts to get the economy back on track and put more people back to work...
Though many films in the past decade have explored the depths afforded by recent innovations in 3-D technology, none look quite so spectacular as “A Christmas Carol.” From the snowflakes which seem to hover just inches from the viewer’s face to the eerily protruding nose of the unscrupulous Scrooge (Jim Carrey), Zemeckis’ effects add depth to the film without seeming gimmicky. Certain scenes in particular employ 3-D to unique and immersive effect—most notably Scrooge’s many modes of transportation. One of these...
...film’s stylized aesthetic, along with the unfolding of the narrative, is tremendously faithful to Dickens’ tale and sure to please literary purists. In fact, nearly all of illustrator John Leech’s original paintings and woodcuts are closely recreated, making the film truly seem like the novella come to life. There are naturally some drawbacks to this somewhat slavish approach. Many scenes involving the ghosts are likely to frighten small children, and viewers hoping for a few narrative twists—like those in Zemeckis’ 2007 adaptation of “Beowulf?...
Though some of their technical achievements seem dated in retrospect, both of Zemeckis’ previous motion capture films were praised at the time of their releases, wowing audiences with human characters who both looked and moved like live-action actors. And yet “Beowulf” and “The Polar Express” have ultimately proven forgettable because they never managed to connect emotionally with their audiences. “A Christmas Carol” manages to preserve the human heart at the core of Dickens’ tale without sacrificing the awesome powers...
...second album this year, “Transitions,” is hardly a change—if anything, the album shows not growth but regression; Leslie’s tracks seem emptier and more unimaginative. The opening of “You’re Not My Girl,” for example, mimcs the bass line on Queen’s “Another One Bites the Dust,” making use of an almost identical rhythmic structure. The song is more than unoriginal, however; it feels sparse and cheap, a sense that arises from Leslie?...