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...titles debuted at Sundance and walked away with multimillion dollar theatrical deals. But as the number of films flooding the art house circuit spiked, audiences have sagged and theaters themselves have become more scarce. Declining box office receipts have resulted in a subdued festival marketplace, where lucrative acquisitions seem to be a thing of the past. For every art-house blockbuster like Juno (which took in $229 million globally) or big-ticket festival purchase like Hamlet 2 (picked up at Sundance in January for a reported $10 million), there are hundreds of films floundering and forgotten on the fringe...

Author: /time Magazine | Title: A YouTube Opening for Wayne Wang's New Film | 10/17/2008 | See Source »

...Love and Theft.’” Now, Columbia Records issues the eighth installment of Dylan’s strikingly consistent “Bootleg Series,” called “Tell Tale Signs,” seemingly as a triumphal arch erected in honor of a last fruitful, if wearying, campaign. At two discs and over two hours (the deluxe edition features a third disc and a 150-page booklet to boot), “Tell Tale Signs” is yet another thoroughly enlightening, thoroughly rewarding, and thoroughly listenable rarities collection—this...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Bob Dylan | 10/17/2008 | See Source »

...sense of place that is both present and unreachable.” Pendleton says that Aljafari’s creative juxtaposition of shots of the family going about their everyday business with rapidly moving images of explosions playing behind them on the television screen is particularly memorable. The scene seems to speak to the superficial images of violence that fully constitute Palestine in the minds of many Americans. The festival’s organizers sought to counteract what they see as a one-sided portrayal of Palestinians in news media. “The Palestinian narrative is missing from...

Author: By Meredith S. Steuer, CRIMSON STAFF WRITER | Title: Festival Displays Palestinian Films | 10/17/2008 | See Source »

...elections were destroyed by terrorism, and because of the Abu Ghraib scandal, the international stage, and especially the Middle East, did not believe in our pledge of democracy. In fact, according to Traub, they found it laughable. But though the title of Traub’s book makes it seem like little more than an anti-Bush diatribe, his attack is not a partisan one. While Traub believes Bush’s “Freedom Agenda” to be both naïve and dangerous, he also affirms the Wilsonian ideals that inspired the President. Traub clearly believes...

Author: By Marissa A. Glynias, CONTRIBUTING WRITER | Title: Spread Democracy, But Not Like W. | 10/17/2008 | See Source »

...Whatever You Like”) and bluesy, organ-infused slow raps (“No Matter What”); inspirational messages and misogynistic quips; they all coexist on the same record. But despite the motley and sometimes jostling composition of the album, it all comes together. Its multiple facets seem to reflect various aspects of the Atlanta rapper’s own personality. He sounds oppressed and worn down at times, but at others he comes off as resolute and even celebratory. Whether he’s crowing about his vast wealth and domination of the hip-hop game...

Author: By Joshua J. Kearney, CRIMSON STAFF WRITER | Title: T.I. | 10/17/2008 | See Source »

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