Word: seemingly
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Jeffrey Hawkins, the group's executive director, has spent nearly three decades in law enforcement and security services. He says many religious leaders fear that obvious security measures, like guards and surveillance cameras, will make a church seem unwelcoming. "It's a paradigm shift that has to happen," says Hawkins, who works with churches to assess risk and develop security plans...
Ditto the Katie Couric interview--which Palin, to her credit, admits was a bust. (Note to future candidates: never assume a network-news interview will be "lighthearted" and "fun.") But it turns out your impressions of her from Couric are probably mistaken too. Did it seem that, when Couric asked what newspapers and magazines she read, Palin filibustered, unable to think up a single title? Wrong! What the untrained eye saw as flop sweat was actually annoyance at Couric's condescension, says Palin; also, she was edited to look bad. (Palin has a way of making edited sound sinister...
...University of North Carolina's Blanchard, a fit nonsmoker, is among those troubled by the changes to her state's health-insurance plan. "I understand the perspective that people who are carrying more risk should pay more, but it just doesn't seem fair," she says. "I don't think it's the best way to get people to lose weight and stop smoking." Then again, people who get caught speeding have to pay more for car insurance. Has that made us all safer drivers? The original version of this article misspelled the surname of North Carolina State Health Plan...
...things interrupt the film’s monochromatic palette: blood and fire, both of which are shot in horribly sharp relief. But Hillcoat and Aguirresarobe refuse to let their limited color range get in the way of shooting a strikingly desolate film, filled with a series of images that seem destined to become iconic. Father and son stumble down a warped concrete road, shattered telephone poles leaning ominously over them; Mortensen pushes a shopping cart through a marsh, silhouetted by guttering flames. On this “Road,” destruction and barrenness take on a peculiar sublimity...
Though the film’s bleak beauty may distract momentarily, it doesn’t take long to realize that it doesn’t seem to be going anywhere. But Hillcoat has created a road narrative without the ever-present forward motion that usually defines it. Instead, “The Road” is composed of fleeting moments, vignettes that slowly coalesce into a fuller picture of the characters and their experiences. Father and son run from bandits, enjoy an unopened, still-carbonated Coca-Cola, and eat canned fruit with an elderly fellow traveler, all the while...