Word: seemingly
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...addition, Vilsack took the opportunity to ask - indeed, plead - with the media to desist forever from use of the misnomer swine flu, which has been the cause of many of the pork industry's woes. "It may seem silly," said Vilsack, "unless you're a pork producer. Then, you have to tell your family you can't afford to pay the bills because you're now selling your product for less than it cost you to produce it." (Read "Amid Swine Flu Fears, the Pork Market Falls...
...them, not in the way that the form of the conventional novel dictates. Each sentence (only one or two of which will ever dwell on the same topic) is marked by innovative precision and great affection for the subject matter. Sometimes Hoffmann is blatantly avant-garde. Titled doodles highlight seemingly random phrases from the text, there are no page numbers to be found, and the speaker adopts the royal “we” for a period (though not without specifying parenthetically each time that what he means is “I”). But the work...
...narrative perspective alternates fluidly between its three protagonists: Gaspar Heredia, a Mexican night watchman at a camp ground in the Spanish coastal town of Z; Remo Morán, a Chilean novelist running several businesses in the town; and Enric Rosquelles, a deputy to the mayor of Z. The seemingly tenuous connections between the three men wind progressively tighter around a pair of vagrant women and a beautiful Spanish figure skater. A voracious reader in general and an avid fan of popular cinema and genre fiction, Bolaño punctuates the beginning of a long penchant for the referential with...
What does it take to steal a Rembrandt? Surely one must divert the museum guard’s attention, disable alarms, twist through zigzagging lasers and plan a smooth escape. At least so it would seem from art heist films like “The Thomas Crown Affair.” But, according to the infamous art thief Myles J. Connor, Jr., all you really need is the audacity to stride into a museum during open hours, grab a painting, and run like hell...
...describing his adventures, he makes the “challenge” seem almost negligible. His memoirs, recounted in the new book “The Art of the Heist,” are thus vastly impressive despite their troubling implications. Connor’s anecdotes speak to the vulnerability of some of the most prominent galleries in the country—Harvard museums included—whose efforts to balance visitor safety with property protection do not always guarantee the security of the artwork...