Word: seemly
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Dates: during 1960-1969
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...today's students really against the old American notion that colleges must act in loco parentis? In some ways, the young seem to be asking for even more tender, loving care. At Stanford University, President Kenneth Pitzer is now pondering whether his school should take over yet another function-dispensing the Pill to unmarried women students under as well as over...
Then, with scarcely a pause, he began work on The Milky Way, which he also called his finale. Yet before he and the century have completed their seventh decade, he will have directed his 28th film, Tristana. With another director, such ambiguities of statement and action might seem a bit bizarre; with Buñuel, they are entirely in character. Since his youth, he has fashioned a career from contradictions. The first-born son of a Spanish bourgeois father and an aristocratic mother, Luis became a brilliant pupil of Jesuit tutors. But upon reading Darwin's The Origin...
Pained Penguin. But Spain, Franco and Buñuel now seem equally aged, if not exactly mellowed. The director and his French wife maintain homes in Mexico and Madrid. Both of his sons dabble in the arts, Raphael as a sculptor, Juan Luis as an experimental-film maker. This fall, the old man returned to his motherland once more, where, again, he is working on his "last" film. Under the sullen skies of Toledo, he directs scenes from Tristana, a dissection of Spanish middle-class society. One scene is purest Buñueliana: a crumpled, baggy-eyed Catherine Deneuve sits...
...weary and almost completely deaf, Buñuel moves like a pained penguin, as if he feels every second of his 69 years. Yet like his countryman Picasso, his large, intense eyes seem illuminated from inside by some unquenchable zeal. No one knows whether Tristana will indeed be his finale or whether Luis Buñuel is trying to propitiate fate by loudly leaving art before reality quietly leaves him. If there is any certainty about the enigmatic old film maker, it was recently voiced by New Wave Director Louis Malle: "Buñuel will die with the director...
...mostly in Central Europe late in World War II. The adversaries are a depraved lot of American military and a handful of German exiles-who all want to beat the Allies at setting up the postwar government in Germany-and an equally desiccated lot of Nazis whose aims seem less clear, but whose posturings and preoccupations are more exotic. There is, of course, a doomed agent who is the pawn of both groups. The days of John le Carré's simple, cigarette-smoking depressive are over, however. Our man is just down from the Alps, where he lived...