Word: seemly
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Dates: during 1970-1979
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...museum show, Meyerowitz cites the painter Edward Hopper among predecessors who have taken the Cape for a subject. The comparison is instructive: Meyerowitz has, like Hopper, great feeling for the season, weather, time of day in the scene he records, and has a similar ability to make the commonplace seem monumental. Like Hopper, he admirably resists any easy, ironic comment about the lives that inhabit his terrain, but he lacks a comparable interest in or understanding of those lives. The detachment with which Hopper painted people and their frequent absence in his work comes out of, and produces, a powerfully...
...describe a peach too perfectly," William Gass has written, "it is the poem that will make your mouth water...while the real peach rots." Photography's grip on reality can seem so compellingly firm and immediate that it is liable to be more persuasive, and pernicious, in its distortions, evasions and half-truths than any other imagemaking medium. Accordingly, the same peach can rot much faster in a photograph than in a painting or poem, and is likely to rot all the more completely. Even the percipient mind that recognizes beauty in all things, and that understands how an artist...
...sure, there were problems within these Projects. Much of the output was undistinguished; many Theatre Project productions seem in retrospect one-dimensional, too self-consciously didactic. And conflicts, perhaps inevitable, arose between artistic purpose and political pressures. The political content of the Theatre Project drew the wrath of Congressional critics and ultimately contributed, at least in part, to the withdrawal of Congressional funding in 1939. Nor were pressures only external: despite the "uncensored" mandate, productions thought too controversial were occasionally postponed. By 1938, Welles and Houseman had left the Project in just such a dispute...
Since his death in 1883, Karl Marx has proved as great a scourge of biographers as he was of political opponents. The difficulties seem insoluble: the man has to be separated from the history that made him and the history that he made. Marx also has to be removed from the True Believers, who find him blameless, and the Great Haters, who see him with horns and a tail...
...China watchers in Peking say that wall posters there seem to indicate a further liberalization of attitudes toward the West. One poster depicts a cadre of rice growers singing. "You deserve a break today," in an apparent shift from the past party line...