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Word: seene (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Congratulations on your Oct. 13 review of the sculpture of Jean Arp. His work is not only modern but eternal as well. His is definitely some of the freest, loveliest art I've ever seen...

Author: /time Magazine | Title: Letters, Nov. 10, 1958 | 11/10/1958 | See Source »

...purpose; there will be no performing dogs, no movie clips, no marching bands-just laughs. Sullivan turned his whole program over to a film of one of the famed Friars Club dinners, at which the venerable show-business club periodically honors and heckles show folk. Target of the dinner seen on the Sullivan show: Ed Sullivan. Result: one of the sprightliest TV hours of the fall...

Author: /time Magazine | Title: TELEVISION: Frying Friars | 11/10/1958 | See Source »

...photographers were there flashing pictures. There were several speeches. When the portrait was unveiled, a delighted ripple arose from the group, and then there was prolonged clapping.... Tea and punch were served, Professor Greg was congratulated from all sides, and each of his former colleagues left feeling he had seen...

Author: NO WRITER ATTRIBUTED | Title: THE SAINT AND THE SCHOLAR | 11/8/1958 | See Source »

...letter from Greg's lawyer, the executor of his estate. During the past ten years Greg had worked steadily at what might prove to be the outstanding work of his career. It was substantially finished, but would require some editing, and, of course, it would have to be seen through to publication. The next point was a little more complicated, and he began this more slowly. As they might have expected, Greg had suggested the two of them to do the actual work, but he had also suggested one of the senior professors to act as a kind of supervising...

Author: NO WRITER ATTRIBUTED | Title: THE SAINT AND THE SCHOLAR | 11/8/1958 | See Source »

...will show you not only what the Athenians saw on stage twenty-five centuries ago but what they saw in the world and the cosmos as well. The masks of the actors bear a bizarre and wholly appropriate resemblance to the grotesque faces of the magnified reptiles and insects seen in the Brattle's introductory short subject. Tanya Moiseiwitsch has provided lighting, costumes, and a set too stark ever to suggest some transcendent tempering of the harsh natural order of things. And Yeats' translation of the chorus' last lines--"Call no man fortunate that is not dead./The dead...

Author: By John E. Mcnees, | Title: Oedipus Rex | 11/4/1958 | See Source »

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