Word: seene
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Dates: during 1960-1969
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Even if he's sometimes a hack, he's seldom a boob, He knows more about the issues, and has much stronger opinions about them, than the overwhelming majority of ordinary voters. He has seen and heard the candidates in person, even if through a smog of rhetoric. He is worried about the war and the riots and his own role in nominating a President. Inevitably, he values party loyalty and remembers long service. He reads the polls and weighs what he wants against...
...good run, fellows. Have a nice ride home and see you another day." Thigpen banked again and we were on our way back to Guam, six monotonous hours and 2,600 miles away. In a small oven in the cockpit the men began heating TV dinners. They had not seen their target, their enemy, or the effect of their mission...
...ability and the resources to blend Romanesque, Oriental, Moorish and rococo influences into what later became known as the Jugendstil-the German equivalent of art nouveau. Petzet's point is spectacularly documented in a dramatic display of 907 paintings, drawings, costumes, stage models, furniture and other rarely seen bric-a-brac commissioned and closely supervised in their execution by Ludwig for his many projects. The lot is installed for the summer in a wing of the Wittelsbach family palace, formally known as the Munich Residence. Selected from Ludwig's three castles, from vaults and state theatrical museums...
...boats, not planes, but sleekly minimal bolts and beams cantilevered into a startling semblance of motion by Manhattan's Robert Grosvenor, 31. "I like sculpture to be a kind of quick thing, like what we see out of train windows," says Grosvenor. "I like things I've seen very fast and I don't know what they are, but I remember the outline, the image. I'd like my sculptures to be remembered the same...
Much of Hitchcock's art relies on point-of-view, the director showing action as seen by the protagonist. When the audience and the characters share a single eye, audiences naturally begin to identify with the person through whose eyes they see; Hitchcock often undermines our complacency by forcing us to identify with a peeping tom (Rear Window) or murderer (Psycho). Halfway into The Bride Wore Black, the camera begins to follow a young mother and her son walking home from school; although we do not see Julie Kohler (Jeanne Moreau) following them, the boy's glances directly into...