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Word: seene (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...entire middle stretch of the movie and well illustrate F. Scott Fitzgerald's dictum that "action is character." Together these two actors-one a movie star, the other a little boy with no previous acting experience-create what is probably the most credible father-son relationship ever seen in an American film. As Ted and Billy slowly come to terms with each other, there is none of the cuteness or sentimentality that so often clots movies about parents and children...

Author: /time Magazine | Title: Cinema: Grownups, A Child, Divorce, And Tears | 12/3/1979 | See Source »

...required to cry, Justin would go off and think of sad things, like the possibility of some injury to his dog Chipper, a golden retriever. Once, just before he was supposed to turn on the tears, he went into a dark room to prepare, just as he had seen Dustin Hoffman...

Author: /time Magazine | Title: Cinema: The Kids a Real Natural | 12/3/1979 | See Source »

...hundred or more casting sessions, then did video tapes with 40 finalists before choosing Justin Henry. Together with Benton and Producer Stanley Jaffe, he worked and worried for months over the character of Kramer, trying to get him exactly right. "I've never seen anybody come to the party with more to offer than Dustin does," says Jaffe. "He had a whole palette of colors." Reflecting a second, Jaffe adds, "But we had some terrific fights...

Author: /time Magazine | Title: Cinema: A Father Finds His Son | 12/3/1979 | See Source »

...seemingly impossible: she became both a slovenly, bovine Southerner in Tennessee Williams' Twenty Seven Wagons Full of Cotton and a thin, sexy secretary in Arthur Miller's A Memory of Two Mondays. Says Director Arvin Brown: "The audience didn't realize that they had seen the same girl twice." These were the first of seven stage roles that Meryl was to play...

Author: /time Magazine | Title: Cinema: A Mother Finds Herself | 12/3/1979 | See Source »

...Alan Aldridge with Harry Willock and George E. Ryder, is the season's most demanding work. The rhymes vary from one-syllable words to items like apogee and collation-an invitation to learning, but also to mystification. The illustrations are something else: portraits of the animal kingdom as seen by the surrealist eye and rendered by the quattrocento hand. Long after the Peacock poetry is memorized or forgotten, the pictures will detonate in the mind, like the bizarre conceits of John Tenniel for the Alice books...

Author: /time Magazine | Title: Books: A Child's Portion of Good Reading | 12/3/1979 | See Source »

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