Search Details

Word: seenes (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

Between July 28, 1956, when the 84th Congress adjourned, and Jan. 3, 1957, when the 85th Congress convened, an avalanche of events had changed virtually every recognizable feature of the world landscape as seen from Capitol Hill. The U.S. returned Dwight Eisenhower to office in a devastating sweep-but for the first time in history a re-elected President would be confronted by a Congress controlled by the opposition. Crisis in the Middle East strained and stretched (but did not break) the historic alliance with Britain and France, even while crisis in Poland and Hungary demonstrated to the world anew...

Author: /time Magazine | Title: THE CONGRESS: Work for the 85th | 1/7/1957 | See Source »

...cannot speak words but emits "boi-i-i-n-n-g-g-s" and other sound effects. Still mute except for an occasional train whistle, drum roll or dynamite blast, M.C. Gerald devotes six minutes of each program to showing a UPA (United Productions of America) film already seen in theaters, the rest to new material. This week little Gerald ran off UPA's version of Ludwig Bemelmans' picture tale, Madeline, putting his twelve little Parisian schoolgirls into animation that catches not only the image but also the spirit of the original. Fresh from the drawing board came...

Author: /time Magazine | Title: Television: Light Touch | 12/31/1956 | See Source »

Etiquette & Fables. The Boing-Boing Show probably makes the most artful use of color yet seen in television; the reason is that the palette is in the hands of artists. Even though it loses much as black-and-white viewing, the show's appeal is unique in current programing. Its light comic touch, in both content and style, keeps the most fragile whimsy aloft and should start adults elbowing children for space in front of the set. In fact, its one flaw may be that in reaching adults it loses the younger of the young...

Author: /time Magazine | Title: Television: Light Touch | 12/31/1956 | See Source »

Redon's predilection for portraying the strange creatures of his imagination-looming one-eyed Cyclopes, curiously grinning spiders, claustrophobic images of terror half-seen in the corner of a mirror, and sad, lost fools-testify to his view that in art "everything is done through docile submission to the 'unconscious.' " Redon found a meager market for his nightmares, eked out a living illustrating books, including Edgar Allan Poe's "The Raven," and peddling his prints to dealers...

Author: /time Magazine | Title: Art: Painter of Dreams | 12/31/1956 | See Source »

...apartment. Fascinated by the shell, Redon used it as the starting point for a motif as old as antiquity. His Birth of Venus is a subject that has inspired artists from the time of the Greeks to Botticelli. Redon painted it as something glimpsed deep in the sea or seen fleetingly but unforgettably in a dream...

Author: /time Magazine | Title: Art: Painter of Dreams | 12/31/1956 | See Source »

Previous | 243 | 244 | 245 | 246 | 247 | 248 | 249 | 250 | 251 | 252 | 253 | 254 | 255 | 256 | 257 | 258 | 259 | 260 | 261 | 262 | 263 | Next