Word: seeringly
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...Saint or Seer? To his mission, Tri Quang brings an intelligence and a toughness that have not been seen in a South Vietnamese leader since Ngo Dinh Diem, whose downfall the ascetic bonze triggered in 1963. Since then he has added the scalps of three more governments. Last week he scored another triumph, this time over the Directory of generals headed by Premier Nguyen Cao Ky. It was no small feat, since the generals comprise the combined armed might of South Viet Nam, but Tri Quang is armed with his own powerful weapons: an unerring instinct for politics, a perfect...
...technique was not an end in itself; Busoni invariably sub ordinated pianistic skill to musical mean ing. Passion and intelligence were reconciled in sensibility, and in the last years of his life, says Busoni's biographer Ed ward Dent, his performances reflected "the spirit of a seer and visionary" and achieved a "grandeur" amounting to "prophetic inspiration...
...always had his detractors. Diehard documentarists call him a showman who manipulated reality. Commercial moviemakers fault him as a glorified shutterbug too lazy or too dumb to write a script. But what his critics fail to see is that Flaherty was not so much a director as a seer. His films are the visions of the original unity of God, nature, man. They confront modern man with his primordial being. They say in fundamental images what Blake said in fundamental words: "Everything that is, is holy...
...Mancha. Cervantes had the seer's vision and the toughness of mind 40 know what was dead about his time. The age of chivalry did not realize that it was finished until it read its inspired obituary, Don Quixote. Thus it is a travesty to pretend to honor Cervantes with Man of La Mancha, a romantic operetta that resembles nothing so much as Don Quixote as it might have been written by Don Quixote...
...Fellini's wife, Giulietta Masina, exercising all of her rueful, clownish charm as a bourgeoise matron with marriage problems. Neither beautiful nor clever, and inhibited by an unshakable Catholic conscience, Giulietta is wounded by the discovery that her husband (Mario Pisu) has a mistress. She consults a seer, seeks refuge in spiritualism, tries to distract herself by befriending an elegant trollop (Sandra Milo) next door. Meanwhile, she begins to live more and more in fantasy - images of abstract evil, dreams of sexual abandon, phantoms of childhood fears. Not until she at last loses her husband does Giulietta find herself...