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...festivals -- including Los Angeles in 1984 and again in 1987, and Chicago in 1986 and again this spring -- a New York event became an issue of civic pride. By the time it finally got under way June 11, its goal was seen as mainly aesthetic. According to Founder Martin Segal, a financial consultant and chairman emeritus of the city's Lincoln Center cultural complex, the festival was to celebrate the attainments of the 20th century and thereby "prove that the times we were living in were not all that doleful...

Author: /time Magazine | Title: Show Business: A Coney Island of the Mind | 6/27/1988 | See Source »

...Although Segal originally intended to stress music and dance, the offerings in those fields have yet to strike many sparks. Like the Los Angeles festivals, the New York lineup gives too much attention to a genre variously classed as dance, except that the dancers are not trusted enough to be given anything interesting to do; or theater, except that the texts are typically minimal and witless; or performance art, except that the real emphasis is on props and tricks rather than performers. A case in point: the pretentious numbers staged by Bill Forsythe, an American, for his Frankfurt Ballet...

Author: /time Magazine | Title: Show Business: A Coney Island of the Mind | 6/27/1988 | See Source »

...first president of the co-op, Richard Segal '60, told of amusements in the early years. "We would shut off the water in 1705 [Sacramento street, the other co-op house] around 5:00 p.m. on Saturday afternoons. We would decorate the house for Halloween with skeletons, because this was a residential neighborhood then and kids would come to trick-or-treat here...

Author: By A. LOUISE Oliver, | Title: A Harvard Reunion, Co-Op Style | 6/6/1988 | See Source »

...academic pressure has not stopped scholars from leading a double life, scholar by day and novelist by night. Now Thomas Mallon has returned to the scene of Segal's crime, Arts and Sciences, his first fictional work, tells the story of a young man's passage into adulthood in Cambridge, Mass...

Author: By Ross G. Forman, | Title: A 'Love Story' That Failed | 3/12/1988 | See Source »

Which raises the question as to whether Mallon should be writing fiction at all. In Segal's case, his work made bestseller lists, whatever its literary merits. But Mallon will not achieve similar popularity. And though he should not be shamed out of academia for his fictional foray, he should consider whether he wants to taint his critical reputation by writing schlock...

Author: By Ross G. Forman, | Title: A 'Love Story' That Failed | 3/12/1988 | See Source »

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