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Though ABC is still likely to be the ratings leader for the season as a whole, its November loss to CBS is the strongest indication yet that its era of sovereignty is over. Explains Joel Segal, a senior vice president at the Ted Bates agency: "Minus the World Series and 1978 election night, ABC is down 10%, CBS up 5% and NBC up 2%, compared with last year. This is the beginning of a three-way horse race." Since a single rating point is worth $40 million to $50 million in advertising revenue to a network, this horse race...

Author: /time Magazine | Title: Television: Sweeps Stakes | 12/17/1979 | See Source »

...There was none of the defendant's blood in the living room where he said he was attacked, for instance, and FBI experts testified that the pattern and type of slashes in a pajama top did not fit MacDonald's account of the struggle. Defense Attorney Bernard Segal intends to appeal, partly on the ground that the long delay violated Mac-Donald's constitutional right to a speedy trial. The Kassabs professed not to be worried. Said Mildred Kassab...

Author: /time Magazine | Title: Nation: Family Vendetta | 9/10/1979 | See Source »

There is always something ominous about Segal's images; no American sculptor today runs his work closer to theater. The theatricality becomes particularly intense in his painted sculptures, where the coating of figures with primary red, yellow or blue gives them a ferocious visual punch while rendering them, in Segal's words, "more like abstract shafts of color." To take the colors associated with the most rigorous abstractionists of 20th century art - Mondrian and Barnett Newman - and use them in a piece like The Costume Party, begun in 1965, has a perverse aspect...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

...narrative of the sculpture remains opaque (what is a figure of Ian Fleming's Pussy Galore in a bike helmet doing in the same place as the donkey-headed Bottom from Midsummer Night's Dream?), but its intention is plain - to provoke a sense, as Segal puts it, of "terror, hallucination, nightmare...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

Strong feeling does not necessarily make strong art, and Segal's tableaux might remain in the category of dramatic curiosities but for one quality: his laconic Tightness of arrangement. "In his use of space," one of the catalogue essays rather absurdly claims, "Segal is close to the minimalists," because, apparently, "Segal's figures energize their spaces." (And what sculpture, minimal or other, does not?) Nevertheless, Segal knows exactly how much distance to allot between one figure and another, how much emptiness should come between a silhouette in a bar and the profile of a metal letter...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

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