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...York's Whitney Museum, a Segal introspective...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

Silent, muffled in form, tinged with the pathos of the discarded chrysalis, George Segal's plaster figures have kept their place on the edge of modernism for the better part of 20 years. They have also shown how art changes one's reading of other art. In the early 1960s, when Segal -the son of a New Jersey chicken farmer -first emerged as a sculptor, he was identified with Pop art. This happened because some of his tableaux had an aggressive, urban character and used real props: stacks of oil cans, winking beer neons, even the inside...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

...reason for the popularity of Segal's work is its material: plaster casts from live bodies. Because there was once a person inside each of the shells, they have the slightly eerie factuality of a petrified tree, a fossil or (as has often been said) that great tourist attraction of Southern Italy, the plaster molds of dead Pompeians. Now and again, Segal made an identifiable portrait; the show includes the effigies of those New York Pompeians of the '60s, the collectors Robert and Ethel Scull, she complete with sunglasses and Courrèges boots. But as a rule...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

...tenth movie, Die Laughing, Robby Benson, 23, is practically the entire show. He stars, wrote the script with his father Jerry Segal, and composed five songs for the score. Benson plays a cabbie trapped in an espionage plot who is lucky enough to have Elsa Lanchester, 76, as a sort of guardian angel. Her explanation of her role is vintage Lanchester: "You see, I have to go up into the California vineyards in an effort to help Robby, who's been caught by alien agents because his monkey that I'm taking care of has the secret...

Author: /time Magazine | Title: People, Aug. 20, 1979 | 8/20/1979 | See Source »

...Crimson Key shows Love Story every year, so that you can ogle the Harvard settings and release all that pent-up aggression by jeering at former Yale professor Erich Segal's heart-burning drivel. You can also think about the decay of Ali McGraw's and Ryan O'Neal's careers since then--proof, I guess, that there is a God. Last year, as Ryan whined, "Love--(beat)--means never having to say you're sorry," the film got caught in the projector and a big brown blotch quickly bubbled over his face, smote, perhaps, by that great Film Critic...

Author: NO WRITER ATTRIBUTED | Title: A Guide to Freshman Week | 8/17/1979 | See Source »

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