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...ANDRES SEGOVIA: FIVE CENTURIES OF THE SPANISH GUITAR (MCA Classics). The master as you have never before heard him: 26 digitally reissued performances, from 1952 to 1968, drawn from the works of ten Spanish composers...

Author: /time Magazine | Title: Critics' Choice: Apr. 3, 1989 | 4/3/1989 | See Source »

BLACK AND BLUE Conceived by Claudio Segovia and Hector Orezzoli...

Author: /time Magazine | Title: Theater: Gorgeous Fun, but Not Funky | 2/6/1989 | See Source »

...showcase for remarkable performers and the visual panache of its creators, Claudio Segovia and Hector Orezzoli (Tango Argentino, Flamenco Puro), this is gorgeous and joyous entertainment. And in its reverence for veteran talents, the kind who have bounced from headlining to working as kitchen help and back again, the show is faithful to the folkloric traditions of tap, jazz and blues...

Author: /time Magazine | Title: Theater: Gorgeous Fun, but Not Funky | 2/6/1989 | See Source »

...came by such feelings practically from the cradle. When Andres was a child, his uncle would strum an imaginary guitar and sing: "To play the guitar/ You need no 'science'/ Only a strong arm/ And perseverance." Segovia took this instruction to heart; aside from a few lessons from a strolling flamenco player, he was self-taught. His tastes, though, were sophisticated: Spanish music by Fernando Sor and Francisco Tarrega, baroque music by Bach and Purcell and works by such contemporaries as Benjamin Britten and Heitor Villa- Lobos, many of which were written especially...

Author: /time Magazine | Title: Music: Mastering The Sounds of Silence | 6/15/1987 | See Source »

Behind the bland, avuncular exterior, Segovia was a man of strong feelings. The electric guitar, of course, was anathema, and he denounced rock music as a "strange, terrible and dangerous disease." He often compared the guitar to a woman and boasted of his fidelity, yet he married three times. Nor was he so self-effacing as his calm demeanor and, late in life, his sometimes indifferent performances suggested. Given the guitar's limited repertoire, Segovia felt no compunction about arranging and reworking music for other instruments. "The composer has to work through me," he said. Indefatigable, he practiced five hours...

Author: /time Magazine | Title: Music: Mastering The Sounds of Silence | 6/15/1987 | See Source »

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