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Boston Symphony Orchestra-with conducter Seiji Ozawa and pianist Leon Fleisher performs Berlioz's "Roman Carnival" Overture, Ravel's Piano Concerto for the left hand and Beethoven's "Eroica" symphony. In Boston Symphony Hall. Tickets are priced from $20 to $52.50. Call 266-1200. Friday...

Author: NO WRITER ATTRIBUTED | Title: Everywhere | 10/17/1991 | See Source »

...Boston Symphony Orchestra--with Seiji Ozawa, conducter, and Janis Taylor, mezzo-soprano, performs Beethoven's Symphony No. 8 and Prokofiev's "Alexander Nevsky." At the Boston Symphony Hall at 2 p.m. on Friday and 8 p.m. on Saturday...

Author: NO WRITER ATTRIBUTED | Title: Music | 10/3/1991 | See Source »

MAHLER: SYMPHONY NO. 7 & KINDERTOTENLIEDER (Philips). Seiji Ozawa leads the BostonSymphony Orchestra in a performance of extraordinary transparency, penetrated by the miraculous colors and moods of this vast, emotionally charged work. Jessye Norman's soprano is more enveloping than probing in the achingly beautiful Songs on the Deaths of Children...

Author: /time Magazine | Title: Critics' Voices: May 20, 1991 | 5/20/1991 | See Source »

...meticulous planner and quintessential clubman of Japanese politics surprised his country by abruptly announcing that he would quit his post "to regain the trust of the people." Yet his departure had been a long time coming, as pressure built for months over what the Japanese call kinken-seiji, or money politics, the well-oiled system by which the nation's leaders attain power...

Author: /time Magazine | Title: Japan Sand in a Well-Oiled Machine | 5/8/1989 | See Source »

...musical merry-go-round is spinning again. Today Levine is the favorite to step into Karajan's shoes, thanks to his good working relationship with the self-governing ensemble during his regular guest-conducting stints. Other possible contenders: Maazel, the Boston Symphony's Seiji Ozawa, Philadelphia's Muti and, farther afield, Leonard Bernstein, now a freelance guest conductor. What marks the new sweepstakes is the increasing desperation with which orchestras pursue the same handful of podium personalities. It is | not that there are too few good conductors, but that there are so few who meet the economic requirements: a hefty...

Author: /time Magazine | Title: Music: Now, A Grab for New Chairs | 5/8/1989 | See Source »

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