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...anger and models of how to put it to positive work. Most of the female characters in the works Spacks studies are negative models--descriptions of people women don't want to be, the victims of anger and frustration. 'To work and to love" is a prescription which was seldom made for these women, whose fate instead...

Author: By Wendy B. Jackson, | Title: Women Under the Influence | 5/13/1975 | See Source »

...game of a Jimmy Connors or a Margaret Court might be expected to sap too much energy for consistent performances. But the quality of play seldom seems to lose its edge...

Author: /time Magazine | Title: Forum, May 12, 1975 | 5/12/1975 | See Source »

...them into cultists in the early '60s--the backlash that follows movie cults is inevitably louder, bitchier and more memorable than the initial shockwave that turns a movie into a classic. For years, these two warning camps have made a lot of noise about Antonioni knowing that moviegoers themselves seldom rely on their own judgment but rather trust the deductions of those who are in a position to release periodic edicts...

Author: By Peter Kaplan, | Title: Making the Audience Work | 5/9/1975 | See Source »

...From an Unknown Woman with Joan Fontaine and Louis Jordan. and starting Sunday, Asquith's version of Pygmallon, with Leslie Howard playing Higgins young and tough-as-nails, which sometimes works well. Wendy hiller's Eliza Doolittle is absolutely amazing. Playing with arguably Katherine Hepburn's best work, Summertime, seldom shown. When Hepburn talked to Cavett in those interviews, Summertime was the film she remembered best...

Author: By Richard Turner, | Title: THE SCREEN | 5/8/1975 | See Source »

...seldom worried about imposing on those he photographed. "I'm quite indifferent to that up to the point where it isn't destructive...If you're at all sensitive--which artists are supposed to be and usually are--that could make conditions psychologically impossible, if you're aware of people too much. So I just go about my business unless I find I'm really hurting somebody...There's no use getting into an argument about what you're doing. Walk away and think about something else and do something else...

Author: By Sage Sohier, | Title: The Flaubert of Photographers | 5/1/1975 | See Source »

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