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...Your essayist, John T. Elson, surely chose a fine group of "martyrs." Why did he exclude "Dutch" Schultz? Schultz probably did less damage to society than Che Guevara. Elson's notion appears to be that anyone killed doing his thing is a martyr. The liberal-dominated press seldom speaks out now against the suppression of human liberties in countries like Hungary, Latvia, Estonia and Lithuania, but continues to blame the white race for being so long silent and inactive concerning the plight of its Negro brothers in the Old South and the new ghettos. Inconsistency, thou art a liberal...

Author: /time Magazine | Title: Letters, Nov. 8, 1971 | 11/8/1971 | See Source »

...trouble was that the crickets kept coming, and they were twice the size of the common cricket found in the U.S. At night, the patter of crickets landing on roof tiles was like the sound of rain, which the town had seldom heard in recent years. Turning out the mercury vapor lamps helped little; the crickets invaded lighted houses instead. Turning out indoor lights meant a darkness in which crickets suddenly lit on eyes or mouths or necks. Worst of all was the sickening crunch of crickets underfoot and the unending chirp-chirp-chirp of their monotonous serenade...

Author: /time Magazine | Title: BRAZIL: The Crickets of Altinho | 11/8/1971 | See Source »

...food just to stay alive. Joe also meets a soft-eyed refugee named Lucia. They huddle together on the fire escape of the Metropolitan Opera, listening to the music drifting out from the grand hall. These scenes have a kind of ruthless poignancy that the rest of the film seldom achieves...

Author: /time Magazine | Title: Cinema: Fragment of Folklore | 11/8/1971 | See Source »

...clashing wills between God and the devil. A year later, Capobianco launched Arrigo Boito's Mefistofele a a space-age sonet lumière production in which the devil seemed about to vanquish the music of the spheres until he was whistled down at final curtain. Contemporary operas seldom fare well with the public, but Alberto Ginastera's atonal, astringent Bomarzo and Don Rodrigo are successful items in the repertory...

Author: /time Magazine | Title: Music: Julius the Cool | 11/1/1971 | See Source »

Middle-age panic is an adrenaline that flows through many American novels. The hero's symptoms seldom vary. The taste of a stale marriage is on his lips. A run-of-the-treadmill job is under his feet. Falling hair is in his comb, and gray rather than great expectations cloud his eyes. Literary ways of dealing with this theme naturally vary. The approach chosen by Luke Rhinehart for his first novel is to consider the middle-age heebie-jeebies as a condition of the soul, angst-laden with boredom and despair...

Author: /time Magazine | Title: Books: d-Olatry | 11/1/1971 | See Source »

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