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...return more defeated than they went, as ill at ease in Ethiopia as in America. Others learn to handle the inevitable failures better, partly because they have the happy prerogative of amateurs not to be required to succeed from the start and partly because Peace Corps service is seldom a single assignment, but rather an assortment of successive assignments. In the best case, Volunteers get experience in mastering new situations and in learning rapidly. In terms of developed needed lifetime habits of learning, I am inclined to think that it really doesn't matter much what one learns in this...

Author: By David Riesman, | Title: Peace Corps and After | 12/6/1967 | See Source »

Borges speaks of "the advantage of briefness." He sees no need to bore himself with writing an entire book "to develop an idea whose oral demonstration fits into a few minutes." His fictions seldom exceed 10 pages. He calls them "footnotes" to hypothetical books, since he believes in "the certitude that everything has been written." Rediscovery and rearrangement, not "originality," are his objects. In the second Norton lecture Borges assured his audience that the world will never suffer a shortage of metaphors, even though they can all be classified in some ancient, fundamental pattern. As with a kaleidoscope, a limited...

Author: By Jack Davis, | Title: Jorge Luis Borges | 12/2/1967 | See Source »

Despite all the time on the job, Crowther has never been predictable. Producers were seldom confident as to how he would react. He appreciated small-scale, low-budget efforts like David & Lisa; yet he also praised Elizabeth Taylor's Cleopatra as "one of the great epic films of our day." An early, ardent booster of foreign films, he helped win acceptance for them in the U.S. with appreciative reviews of Open City and Bicycle Thief...

Author: /time Magazine | Title: The Press: MAGAZINES | 12/1/1967 | See Source »

...Zorba the Greek), Irene Papas, playing Clytemnestra, is an actress of chained intensity. She bears herself with the regal poise of a statue by Praxiteles. Though her brows are as dark as doom, her profile is chiseled in luminous Pentelic marble. What she brings to Iphigenia is something that seldom exists on any stage: the adrenal flow of a mother's love and grief. When Clytemnestra learns that Iphigenia cannot be saved, she utters a howl of desolation that seems to be torn from her womb, as if a cycle of pain that had begun with the child...

Author: /time Magazine | Title: The Theatre: OFF BROADWAY | 12/1/1967 | See Source »

...Tony Rome, Frank Sinatra appears as a private eye for the first time. That fact may be of some interest to members of his immediate family, and the film may appeal to boosters of Miami Beach, which has seldom sparkled so prettily as it does here in Panavision-DeLuxe. Others are likely to find the movie nothing more than a blatantly inept, uncredited remake of Humphrey Bogart's 1946 The Big Sleep...

Author: /time Magazine | Title: Cinema: The Big Yawn | 11/24/1967 | See Source »

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