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Dates: during 1970-1979
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...Senate." In the car is Cecil Andrus, former governor of Idaho and current Secretary of the Interior, who has come to Massachusetts to endorse Tsongas. They have traded compliments about their concern for energy and the environment. Tsongas' driver is doing a steady 75. "As a member of the Select Ad-Hoc Committee on Energy, [Paul] introduced two successful amendments to the National Energy Act requiring conservation studies to reduce gas consumption...
...lucrative jobs. Says New York City Council President Carol Bellamy: "Politics has a terrible reputation. We're striving to come up to the level of the used-car salesman. So if you have some options, who's going to go into politics?" Why, indeed, would a career woman select a field in which she is likely to have to invest a lot of money, disrupt her family and probably end up thwarted...
Sometimes the talk got tough. Asked to select three for lunch with Carter, Dayan replied, "We want four, and if we don't have four, they can have lunch without me." Four it was. After all, another plate on the table among neighbors is no big deal. Now and then Carter grew weary of the lawyering. Around the hearth in such intimate circumstances, good men, he thought, should quit nitpicking and get down to real meanings. "That's as much as you are going to get," he told the Israelis at one point. "That's clear...
Schaffner's direction has no charisma, no wit, little skill. With the exception of the obvious, lowangle shots of Gregory Peck as the evil doctor, his camera set-ups are standard and static, the editing choppy and unrhythmical, the use of select German symphonies and thundering crescendos at the sight of Peck ludicrous. The pace is non-existent until the last twenty minutes, a bloody brawl between Peck and Laurence Olivier as an old Nazi-hunter, when it may be labeled "slow." The old men resort to biting each other, and the graphic shredding of Olivier's ear and Peck...
OLIVIER PRESERVES the classical rhythm, the curling-up pitch at the end of a line and the elongation of select syllables until they detonate, and he fuses all this with bravura good-humor. Compare this portrait to his massive, thick-featured, iron-rimmed Nazi dentist in the Marathon Man and you've good example of why people label this great man the most versatile actor who's ever lived. Olivier is on-screen more than anyone else in the The Boys from Brazil, and he hasn't had a movie role this large since Sleuth...