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...atrocity." If we are to tell someone's story, whose story shall we tell? Whose perspective should we use when trying to judge the effects of the trials? Which group will be represented--victims, bystanders or perpetrators? The boundaries between these classifications are often blurred. Which individuals should we select to speak? Perhaps the remoteness of her approach is the only means of making an unbiased approach possible...
Ironically, the show is also somewhat original by virtue of its traditional appeal. Many campus productions tend to be experimental, both in the works they select and their approaches to performing them. This Guys and Dolls isn't new or intellectual or re-interpreted in any challenging way, but it's fun. The show's very traditional aims (namely, to please) make it a rarity here, though less so in the commercial world of Broadway...
...such advanced agents allow you to easily select the product you want, analyze the prices and features offered by a variety of Internet vendors and purchase the desired item with the click of the mouse button. Some of the agents even allow you to search Internet classifieds and auctions along with traditional e-commerce vendors. Above all, these agents make on-line shopping fun and easy. And with the ability to comparison-shop a large number of vendors, you are bound to get a pretty good deal...
...preparation for the tour, the team had a week of training and games in Tampa on Dec. 2-6, where they competed against select USA club teams from all regions of the country in the Inter-Territorial Tournament. They did a rigorous amount of training in Tampa, practicing as many as six hours per day. The under-23 team started in the summer of 1997 and has improved a lot since then...
...pleasure of Great Pianists is in the listening, however, not in the debate over inclusiveness. All the significant performances of the century are here: Artur Schnabel's Beethoven, Wilhelm Kempff's Schumann, Sviatoslav Richter's Prokofiev, Walter Gieseking's Debussy. But Deacon was too knowledgeable, and too wily, to select only the gems that every piano lover may already have. More than a quarter of the music in the collection was previously unavailable on CD, and some pieces, such as Clifford Curzon playing Mozart's Piano Concerto No. 27, have never before been released commercially in any format. Deacon scoured...