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Demonic Force. The artist now mixes media with enthusiastic abandon. The 17 monstrous painted panels in the London show are augmented by grafted-on photographic blowups, found objects and even entire plaster sculptures. And their subject matter is as apocalyptic as their technique is accomplished. Typical is his self-portrait of the artist at work. Whiteley painted in his head, wreathed in its halo of reddish hair, and showed his left hand drawing at an easel. But the right, black-shirted arm snakes out across the floor to where his twisted, plaster-spattered fingers offer the startled viewer a fresh...

Author: /time Magazine | Title: Painting: Plaster Apocalypse | 11/10/1967 | See Source »

What did amaze the critics was the caliber of the work. "Fabulous!" raved the critic for the prestigious Neue Zurcher. "A collection of many practically unknown masterpieces." Particularly admired were two Van Goghs, a Landscape of Auvers painted just three weeks before his death in 1890 and an 1886 self-portrait. A voluptuous Renoir, After the Bath, painted in 1876, is the twin to one in Moscow's Push kin Museum. Also on view are outstand ing paintings by Cezanne, Delacroix, Millet, Manet, Monet, Degas and Corot. But, for many critics, the most exciting works were four oils...

Author: /time Magazine | Title: Painting: Reunion in Vienna | 8/4/1967 | See Source »

...control, Hemingway became a parody of himself. Military parlance, scrambled syntax, bravado posturing descended on his magazine pieces like an awful curse. Look bought "The Christ mas Gift," Hemingway's 1954 account of near death in two plane crashes in Africa. What Look published was a mawkish self-portrait of the Hemingway hero emerging from the jungle with two bunches of bananas, four bottles of Carlsberg beer and a jug of Grand MacNish. At 54, he was ready to take the count...

Author: /time Magazine | Title: Books: Hero as Celebrity | 5/19/1967 | See Source »

...turbulent post-World War I Germany, two German soldiers sliced three paintings from their frames in the Grand Ducal Museum of Weimar. Last week the paintings were up on walls again, this time in Washington's National Gallery. On view were a Rembrandt 1643 self-portrait (worth upwards of $750,000), a Gérard ter Borch, one of Rembrandt's contemporaries, and a work by the 18th century German, Johann Heinrich Wilhelm Tischbein. Their strange odyssey bespeaks of both the awe and the ignorance that surround great art works. It also suggests that masterpieces, like people...

Author: /time Magazine | Title: Art: Odyssey in Oils | 1/20/1967 | See Source »

Botero's Our Lady of New York was a gesture to the big city. "Every little village in Colombia has an Our Lady," he says with a twinkle. Into his bursting composition he paints a current cucurbitaceous self-portrait. Then why another self-portrait at the age of 18 months? "Every artist tells how he started painting in the cradle," he says. Actually he began at 15; his first exhibition in Colombia was so derivative of Van Gogh, Gauguin and others that people thought it was a group show. And it sold...

Author: /time Magazine | Title: Painting: Pinatas in Oil | 12/30/1966 | See Source »

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