Word: self
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Dates: during 1990-1999
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...performance as the Captain, Ph.D student Vernon Eagle appears as the foppish and formal Admiral, resembling a more refined Mr. Bean, and Susan Long '02 provides a tongue-in-cheek performance as the bawdy but compassionate Buttercup. All the principal characters acquit themselves well with a good dose of self-awareness and ample humour, but the real star of the show is firstyear Kathleen Stetson. As the unwillingly betrothed Josephine, Stetson is simply luminous. From the melancholic torch songs of "Sorry Her Lot" and "The Hours Creep on Apace" to her puckish asides before and during "Refrain Audacious...
...interesting. But enthusiasts should note that it represents something of a breakthrough for Allen, in that the main character, fictional 30s jazz guitarist Emmet Ray (Sean Penn), is a brooding, inarticulate, freewheeling figure motivated by moody emotions. Sure, hes neurotic as hell, but not in the style of nebbishy self-analysis that has informed so many Allen protagonists. Emmets comic/pathetic exploits are governed by the cadences of jazz, which has always been a background presence in Allens movies but takes center stage here. Although his personal life is an unstable mess and his treatment of women is worse than...
...Emmet as a lover. Looking like she just stepped out of a silent film, Morton gives a performance that, without a single line of actual dialogue, matches Penns in intensity and sheer entertainment value. Her expressive eyes and Groucho Marx facial expressions make her the perfect foil for Emmets self-absorbed rambling. Its so clear that the two are right for each other that when Emmet totally fails to realize the value of Hatties unconditional love, we realize just how long it has been since one of Allens films has successfully depicted this emotion. Morton makes the most...
...connected scenes, works against the film burning itself in your memory. Even Penns fiery Emmet is too contained by the movies conceit to really stick with you. Perhaps its symbolic of what Allen has achieved here that Mortons Hattie is the only character who transcends the movies clever but self-limiting setup. Though Allen is traditionally known for his witty, fast-paced dialogue, youll remember her silent, expressive eyes long after everything else about Sweet and Lowdown has faded away...
...stretch of overpass in the invisible industrial outlands, unmarked, the Brickbottom Gallery is in a most unlikely location. But, in a building where more than 150 artists live and work, the gallery is self-sufficient, needing no urban foot-traffic. The exhibition space shows artists both resident and alien, often in a salon format...