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Word: selfe (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Latvian-born Painter Hyman Bloom recites this legend in self-defense when critics complain of his fondness for painting corpses. If they persist he counters: "One must take a pessimistic view of society as it stands today...

Author: /time Magazine | Title: Art: The Pessimistic View | 3/14/1949 | See Source »

...softspoken, self-effacing man (after his performance in Houston last week, he took a seat in the audience to listen to Efrem Kurtz conduct a Schumann symphony), Tossy is one of the few top U.S. concert violinists who have risen from orchestra ranks...

Author: /time Magazine | Title: Music: Listen but Don't Look | 3/14/1949 | See Source »

...Beth). Though the faces have changed, the girlish flutter and flummery are still the same. Curled up in her cluttered Concord attic, tousle-headed Jo still writes, and weeps over her blood & thunder fiction. The romantic Meg still falls romantically in love, marries and has twins. Featherbrained Amy, as self-centered as ever and still suffering from the "degradations" of well-bred poverty, succeeds in catching wealthy Laurie (Peter Lawford). Little Beth once more wastes away, bravely and wistfully, to an early death...

Author: /time Magazine | Title: The New Pictures, Mar. 14, 1949 | 3/14/1949 | See Source »

There is some pathos in the stffry of a widowed concert singer (Jeanette MacDonald) who sees her only son hit and killed by a truck, but the sentiment sours when the scripters make Jeanette a self-centered, self-pitying woman. There is also some promise in the relationship between the singer and an orphan boy (Jarman) whom she meets in the Carolina Mountains. But the association never quite comes off. For one thing, young Jarman is uncomfortably overgrown and incurably quaint, and he is pictured as a ninny. Perhaps the only character to live up to expectations is the general...

Author: /time Magazine | Title: The New Pictures, Mar. 14, 1949 | 3/14/1949 | See Source »

Bedazzled by his own lust for power and for a woman, Mitchell eventually loses the ability to say "Get thee behind me, Satan." Shedding his wife, his honest friends and his self-respect as he wins the governorship, Lawyer Mitchell is on the point of delivering himself for shipment to hell, but his better nature triumphs in the end. The happy ending is scarcely a surprise, but Director John Farrow leads up to it with a series of small shocks, and neat twists. He appears to have the exhilarating conviction that man-meets-devil can be as interesting...

Author: /time Magazine | Title: The New Pictures, Mar. 14, 1949 | 3/14/1949 | See Source »

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