Word: selfe
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Dates: during 2000-2009
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...revisit the same themes - broken families in need of healing - and control issues that were outsize even for a filmmaker. With The Life Aquatic with Steve Zissou there was the sense of being sucked into a rabbit hole dug by Anderson, and by the cloying The Darjeeling Limited, his self-indulgence had swollen to the point where the hole was too claustrophobic for any but his most devoted fans to bear...
...with him down an actual hole, albeit one dug by a family of foxes, might be pure torture. But Anderson's stop-motion Fantastic Mr. Fox is both a delightful amusement and a distillation of the filmmaker's essential playfulness. It's not quite tongue-in-cheek but very self-aware, in a good way. "Why yes," Anderson seems to be telling us. "I do like to play with dollhouses. And look what I can do with them. See the way Mr. Fox's fur stirs in the nonexistent breeze, isn't that marvelous...
...children's story about a fox clever enough to outwit three mean farmers named Boggis, Bunce and Bean, one fat, one short, one lean (no one can say that just once). Dahl's spirit is there, but the cinematic Fantastic Mr. Fox comes fortified with Andersonian pouting, parental issues, self doubt and philosophical conundrums. "Who am I, Kylie?" Mr. Fox (voiced by George Clooney) muses to the sidekick Anderson has created for him, an opossum voiced by Wally Wolodarksy - then clarifies: "I'm saying this as an existential question." (Read about this fall's Clooney film trifecta...
...authors comment that while a strength of this study is the large sample size, the reliance on ‘self-report’ is a limitation...
...Such self-consciousness is on clearest display in Lévi-Strauss’ lovely travelogue-cum-memoir Tristes Tropiques. Indeed, Lévi-Strauss’ own work can be divided into two categories: Tristes Tropiques, and everything else. Cherished as a formative influence by many established anthropologists, the slim volume sets down in pearlescent prose all the bittersweet joys of the profession, absent in Lévi-Strauss’ more detached volumes of scholarship. This elegiac tone evolved into outright pessimism as he grew older; in one of his last interviews he flatly states that...