Word: selfe
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Dates: during 2000-2009
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...always mentioned. So there's a separation between why the behavior evolved and why the actors actually engage in it. The same is true for altruistic tendencies. You share food with your kin. You share food with individuals who may repay the favor. So the sharing behavior evolved for self-interested reasons. But that doesn't mean that the individual actor, at the moment that he does it, is thinking of the potential benefits...
...internet into a novel that examines happiness from a thoroughly modern—and therefore highly empirical—standpoint. “How programmed are we?” Russell vulnerably begs. His girlfriend, a therapist, responds honestly, but then adds encouragingly, “Temperament can self-modify. People can get free, or at least a little freer.” This is not enough for Russell, who laments, “But not as free as we’re bred to believe we are.” Science, while altering our contemporary conception of happiness, changes...
...naturally chubby physique complements his character’s infantile personality, both of which serve to present a man at odds with the world around him. Paul’s obsession extends beyond the realm of football; he’s created a lifestyle of blithe immobility and self-neglect on which he refuses to loosen his grip. Even his most immature moments—yelling at his mother for interrupting his 15 seconds of radio fame, scarfing down Chinese food and Mountain Dew until his head aches—act as part of a system Paul has developed...
...possibility of being interpreted on many different levels. The political and cultural inspiration for the work are helpful for deciphering the monumental exhibition, although it is not necessary to have this background in order to appreciate the art. Foreknowledge or none, Ortega’s pieces are deeply self-reflective and display a striking understanding of human nature. Amidst all the larger than life installations, it is this empathy that shines through most clearly...
...super-group comprised of My Morning Jacket’s Jim James, Bright Eyes’ Conor Oberst and Mike Mogis, and M. Ward—are stacked with talent, but even after several years of live collaboration and half a year’s worth of hype, their self-titled debut lacks coherence and originality.“Monsters of Folk” oscillates between Oberst’s tired country tropes and James’ burnt-out classic rock riffs. The numbers that feature M. Ward’s vocals provide consistently solid songwriting, offering several truly fantastic...