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...what begins as confusion wavers and then diminishes into the reality: “Antichrist” is an embarrassment audacious enough to reassure only a man like Lars Von Trier. A self-styled radical better known for narrative transgression and the outmoded Dogme 95 manifesto than any one particular film, Von Trier reveals himself finally and totally in “Antichrist” as the spoiled child of the art house: an auteur who insists that his films merely stand as pieces around which he himself can be discussed. In so blatantly passing off exploitation...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Antichrist | 10/30/2009 | See Source »

Beating a five-time platinum record isn’t easy. Coming off their wildly successful self-titled first album, Wolfmother had pretty lofty expectations to meet. While frontman Andrew Stockdale had been hailed as a pioneer of hard rock revival, he was in danger of getting locked into Nickelback syndrome, making a career out of rewriting the same song. On “Cosmic Egg,” however, Wolfmother—with an all-new lineup supporting Stockdale—prove they have the talent and creativity to sustain their remarkable success. With intense, intricate, and looping guitar...

Author: By Alex C. Nunnelly, CONTRIBUTING WRITER | Title: Wolfmother | 10/30/2009 | See Source »

Admittedly, “Cosmic Egg” does share a number of features with Wolfmother’s self-titled debut. Both albums’ tracks are filled with similarly rendered electric guitar sounds, the very occasional switch to acoustic segments, interspersed squeals, and hearty track lengths. Rapid beats are repeatedly counterbalanced with the scattering of double time, slower tempo sections. But “Cosmic Egg” takes a step towards even harder ’60s rock riffs and heavy metal intensity...

Author: By Alex C. Nunnelly, CONTRIBUTING WRITER | Title: Wolfmother | 10/30/2009 | See Source »

...protective psychological mechanisms remains one of the strongest points of the collection, underscoring both life’s pathos and surrealism. Ishiguro examines the absurdity of how humans protect themselves from the outside world and the moment in which this protection begins to wear down. Eloise McCormack, the self-professed virtuoso cellist who coaches young Tibor on his technique, eventually confesses that she cannot play the cello. She justifies this by claiming that other, less-gifted teachers would have destroyed her innate gift if she had taken lessons with them: “I knew I had to protect...

Author: By Sophie O. Duvernoy, CONTRIBUTING WRITER | Title: Ishiguro Releases an Accomplished But Mild Collection | 10/30/2009 | See Source »

Left with an absurd amount of plot leeway, “All Saints Day” busies itself engaging in a self-referential elevation of campiness. While a great deal of the humor in the original hinged upon the brothers’ bungled attempts to recreate old action movie scenes, “All Saints Day” makes a conscious attempt to churn out fantastically outlandish fight scenes and hard-boiled, quotable one-liners. Murphy kicks off a killing campaign by cheekily remarking to his brother, “Let’s do some gratuitous violence...

Author: By Roxanne J. Fequiere, CRIMSON STAFF WRITER | Title: The Boondock Saints II: All Saints Day | 10/30/2009 | See Source »

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