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Word: selfing (lookup in dictionary) (lookup stats)
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...without any sense of rigor. In “Theatre,” he makes a number of fascinating and provocative claims, but they are ultimately founded on flimsy arguments that are more reductive than revelatory. The end result is a read that is mostly frustrating with its self-important tone and baseless claims...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

...often only a sentence or two. The trouble is that this concise style renders his arguments insufficient. To dismiss Stanislavski’s entire body of work in seven pages without even quoting the man is more than just a stylistic gaffe—it creates a tone of self-importance and haughtiness that is a aggravating as is it unconvincing...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

...compare Jónsi to Sigur Rós, but Jónsi invites the association by making music that has so much in common with his band—his own heartrending falsetto, simple but perfectly arranged orchestral support, and an unabashedly emotional atmosphere—and then self-consciously moving away from much of what defines them. Where Sigur Rós were sprawling, Jónsi is concise. Where Sigur Rós were languorous, Jónsi is propulsive. Where Sigur Rós were grandiose, Jónsi is playful. “Go?...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Jónsi | 4/13/2010 | See Source »

...chanted in a strikingly devotional, and creepy, manner. And is the figure described by the lyrics actually not all he’s built up to be, as is suggested by the refrain, “What does he know?” Alongside the lyrical self-consciousness present across the entire album—“When I was stuck he’d make me memorize elaborate curses / Tinctures and formulas to ditch the chori and flip the verses”—all this doubt alienates the listener, who will have a hard time finding...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: MGMT | 4/13/2010 | See Source »

...seconds it shifts to a guitar melody with a heavy walking bassline, eventually arriving at an atmospheric conglomeration of multiple vocal lines and ringing synths. During the song’s surprisingly-condensed four-minute run time, the lyrics travel just as far as the music. They are amusingly self-deprecating: “The hot dog’s getting cold / And you’ll never be as good as the Rolling Stones;” plain psychedelic: “See the flash catch a white lily laugh and wilt;” and even socially radical...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: MGMT | 4/13/2010 | See Source »

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