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Word: seltzer (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Review solicited articles from Daniel Seltzer, associate professor of English and associate director of the Loeb, and Thomas Babe '63, a graduate student who has worked on the main stage as actor, director and playwright. Seltzer's article is a visionary discussion of the possibilities of university theatre; Babe's is a critical report on the evolution of the Loeb. Taken together, the two articles offer quite convincing evidence that theatre at Harvard is not being used with much wisdom...

Author: By Donald E. Graham, | Title: The Harvard Review and the Loeb | 5/3/1966 | See Source »

...Giovanni Forum will be held tonight at 8 p.m. in the Leverett House Old Library. Participants will be James E. Haar, assistant professor of Music, Daniel Seltzer, associate professor of English and Mr. Jean Bruaneau, of Lyon University...

Author: NO WRITER ATTRIBUTED | Title: Don Giovanni Forum | 4/25/1966 | See Source »

...taken seriously, if at all, Frank Sinatra pops in as a soldier-of-fortune silot who quips, "Hey, don't leave me here alone, I'm anti-Semitic." Musical-comedy exuberance dominates a battle scene that has Sinatra aloft in a Piper Cub, bombing Egyptian tanks with Seltzer bottles and spraying soda at their planes. By then, the movie has trimmed its theme to fit the formula of any Clannish catered affair...

Author: /time Magazine | Title: Cinema: A Catered Affair | 4/15/1966 | See Source »

With the exception of Frances Gitter's performance of Mary, the actors did not play these moments of contrast, or at best glossed over them. Carl Nagin does Edmund as the traditional Sensitive Young Man. His bitterness is searing, but his tenderness is embarrassed and whispered. Daniel Seltzer as James has much the same problem. He vehemently attacks his lines until the effect is dulled the same way listening to a jackhammer for three hours induces deafness. It is only in the play's magnificent last act when Edmund and James are both drunk that Nagin and Seltzer managed...

Author: By George H. Rosen, | Title: Long Day's Journey Into Night | 4/15/1966 | See Source »

...confession of feeling has to border on the maudlin to have any effect. But his drunken recounting of the night at the whorehouse, along with Sheila Hart's portrayal of the servant girl, are the only moments of humor in the play which came across successfully. Nagin and Seltzer seem to feel reticent and slightly guilty when O'Neill gives them anything funny...

Author: By George H. Rosen, | Title: Long Day's Journey Into Night | 4/15/1966 | See Source »

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