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Word: selznicks (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...Selznick-International's Gone With the Wind has grossed well over $32 million, at least 15 times as much as either Grapes or Valley...

Author: /time Magazine | Title: Letters, Sep. 25, 1944 | 9/25/1944 | See Source »

...motives, seldom manage much of a splash, whether cerebral or boxoffice. International, founded by 20th Century-Fox's longtime general efficiency expert, William Goetz, and veteran cinelawyer Leo Spitz, onetime president of R.K.O. is an exception. Its first picture is the most propitious independent debut since David O. Selznick...

Author: /time Magazine | Title: The New Pictures, Sep. 18, 1944 | 9/18/1944 | See Source »

...Selznick Touch. What makes Since You Went Away sure-fire is in part its homely subject matter, which has never before been so earnestly tackled in a film, in part its all-star acting (everybody registers with all his might, down to Lionel Barrymore's few seconds as a preacher and Newcomer Guy Madison's brief, effective appearance as a sailor), most of all David Selznick's extremely astute screen play and production...

Author: /time Magazine | Title: Cinema: New Picture, Jul. 17, 1944 | 7/17/1944 | See Source »

...Selznick has given Claudette Colbert the richest, biggest role of her career. She rewards him consistently with smooth Hollywood formula acting, and sometimes-especially in collaboration with Mr. Gotten-with flashes of acting that are warmer and more mature. He has brought his newest find, Jennifer (The Song of Bernadette) Jones out of the cloister and made her an All-American girl. She rewards him with a nervous, carefully studied, somewhat overintense performance. Selznick placed a big bet on Shirley Temple's comeback and she pays off enchantingly as a dogged, sensitive, practical little girl with a talent...

Author: /time Magazine | Title: Cinema: New Picture, Jul. 17, 1944 | 7/17/1944 | See Source »

Yard-Wide Americanism. Though idealized, the Selznick characterizations are authentic to a degree seldom achieved in Hollywood. When a high-school graduating class sings America the Beautiful, the voices are touchingly inchoate, the singers' faces as stolidly reverent, and the shot of the Lincoln statue which begins the song and the meowing cat which ends it, are a deft, valid blend of showmanship, humor and yard-wide Americanism. The wounded men in Since You Went Away really look wounded, for almost the first time in a U.S. fiction war film. There are scores of such evidences of a smart...

Author: /time Magazine | Title: Cinema: New Picture, Jul. 17, 1944 | 7/17/1944 | See Source »

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