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Margaret Mitchell toyed with the idea of calling it Tote the Weary Load. Her heroine at one time was named Pansy O'Hara. Vivien Leigh got the part in the movie only after David O. Selznick had already burned down the massive sets from King Kong and The Garden of Allah to effect the destruction of Atlanta. Selznick's brother Myron, slightly drunk, pulled up to the glowing ruins and triumphantly presented the young English actress: "I want you to meet your Scarlett O'Hara." Leigh remembered that when she got into Scarlett's costume...

Author: /time Magazine | Title: Books: Notable | 10/29/1973 | See Source »

...depends. The amateur actors (a factory worker and a working class boy) playing lead roles are really a joy to see. This was the first major film to use amateurs, and their performances seem almost effortlessly effective. When de Sica and Zavattini approached American film magnate David Selznick for financial backing, Selznick wanted Cary Grant to play the lead role. That was hardly what the film makers had in mind, so Selznick proposed Henry Fonda. At that, they decided to go elsewhere for money, and, you'll see, it was well that they...

Author: NO WRITER ATTRIBUTED | Title: the screen | 10/11/1973 | See Source »

WEDNESDAY: The Paradine Case. (1948) Hitchcock in the courtroom for a murder trial with Ann Todd as a mystery woman being defended by able Gregory Peck. Lavish production form David O. Selznick. CH.5...

Author: NO WRITER ATTRIBUTED | Title: television | 4/26/1973 | See Source »

HOLLYWOOD: THE SELZNICK YEARS (NBC, 10-11 p.m.). Henry Fonda narrates this special on the career of Movie Producer David O. Selznick with some rarely seen film clips and comments from Ingrid Bergman, Katharine Hepburn, Rock Hudson, Joseph Cotten, Alfred Hitchcock, Janet Gaynor and Dorothy McGuire...

Author: /time Magazine | Title: Television: Mar. 21, 1969 | 3/21/1969 | See Source »

Small and intriguing tales like these surround the geneses of most of America's great films: think of all those people who told Selznick that Gone With The Wind would never sell. Unfortunately, The African Queen falls far short of greatness, selling short its colorful background, despite the efforts of its talented creators (add to the list a fine short story writer, John Collier, whose contribution to the script equalled that of Huston and Agee, and photographer Jack Cardiff, then Carol Reed's right-hand man and cameraman on Hitchcock's magnificent Under Capricorn...

Author: By Tim Hunter, | Title: The African Queen | 3/16/1968 | See Source »

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