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...minded the kids. In 1915, the family moved to New York City, perhaps to get the budding draftsman-craftsman Al(bert) into an artistic milieu. He went to a few art schools and found remuneration in advertising departments of local movie companies. He worked for Samuel Goldwyn and Lewis Selznick (David O.'s father), becoming art director of Selznick...

Author: /time Magazine | Title: That Old Feeling: The Fun in Al Hirschfeld | 1/29/2003 | See Source »

...Dolly's destiny took a different turn. In an English remake of "Broken Blossoms," directed by her first husband John Brahm, she played the Lillian Gish role; then she was offered a three-year Hollywood contract by Myron Selznick (whose father had hired the teenage Hirschfeld). But she made no films in California. She came to New York, appearing in plays by the German ?migr? Erwin Piscator. It was there she met, and in 1943 married, the man referred to in the Google translation of a German-language Dolly Haas website as "the well-known caricaturist aluminum deer field...

Author: /time Magazine | Title: That Old Feeling: The Fun in Al Hirschfeld | 1/29/2003 | See Source »

...stardom as the title heel in "Pal Joey" and, at the same time, choreographed "Best Foot Forward." (This guy did everything!) MGM boss Louis B. Mayer offered him a contract. When Mayer reneged on a promise that no screen test would be required, Kelly, furious, signed with David O. Selznick - who didn?t make musicals. So the actor wound up at MGM, and stayed for 15 years...

Author: /time Magazine | Title: That Old Feeling: Dancin? Man | 3/2/2002 | See Source »

...Through the 40s and 50s Kelly would make about two "straight" films for every three musicals. Selznick wanted him to concentrate on being a dramatic actor, but that was idiocy, blindness - couldn?t the mogul see that Kelly "got-ta dance", that his feet had to do their stuff? Mayer was slow coming around too; Kelly didn?t become a star until he was loaned to Columbia for "Cover Girl," where he was paired with Rita Hayworth and, behind the scenes with an old Broadway pal (actually a young one, since he was 19 at the time), Stanley Donen...

Author: /time Magazine | Title: That Old Feeling: Dancin? Man | 3/2/2002 | See Source »

...rest of the enterprise, and Astaire came truly alive only when he was in them. Kelly, a believer in artistic integration, gave just as much attention to "the rest of the movie." He acted-danced with the same concentrated energy that he danced-acted. Maybe he attended to Selznick?s advice after...

Author: /time Magazine | Title: That Old Feeling: Dancin? Man | 3/2/2002 | See Source »

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