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...empire just when he has a chance to earn some badly needed dollars (TIME, Dec. 21). And no matter how Hollywood feared the bark of pressure groups, the bite had not yet proved painful. Among the two big moneymakers of 1947, according to Variety, were David O. Selznick's Duel in the Sun and Darryl Zanuck's Forever Amber, both of which had been frowned on by the Legion of Decency...

Author: /time Magazine | Title: Paradise Lost? | 1/19/1948 | See Source »

...considers himself too good for movies (he doesn't think he is good enough), nor even that he thinks plays are better than pictures. But he still believes that the theater is the best place to learn how to act. He has been instrumental in organizing a Selznick-financed group of movie people (Cotten, Jennifer Jones, Dorothy McGuire, et al.) who do stage-acting in their spare time. But it will be a long time-three years at least-before he can hope to work again on Broadway. "The stage, yes," he now says with a hounded look, "when...

Author: /time Magazine | Title: Cinema: Leading Man | 1/12/1948 | See Source »

...Paradine Case (Selznick) stars Gregory Peck as a gifted, happily married English lawyer who falls in love with the client he is defending. Mrs. Paradine (Valli) is accused of poisoning her blind husband, and Lawyer Peck recklessly sets out to pin the crime on the dead husband's valet (Louis Jourdan). In his infatuation for his client, he is incapable of imagining that she may be guilty. In his jealousy, he suspects an affair between the valet and the accused lady. Making a headlong effort to defend her, he brings on a suicide and his own virtual ruin...

Author: /time Magazine | Title: Cinema: New Picture, Jan. 12, 1948 | 1/12/1948 | See Source »

...Hichens' basic story is so intricate in plot and pattern-there are four interlocking triangles, and hints of two more-that only an inspired talent for drama and for characterization could have saved it from obvious artificiality. No such talent is in evidence; nor has Producer David O. Selznick improved matters in his screen play. The only characters who come sharply to life are the barrister's wife (Ann Todd) and her confidante (Joan Tetzel); some of the others are acted with solid skill (by Charles Laughton, Charles Coburn, Ethel Barrymore), but they remain lay figures-interested...

Author: /time Magazine | Title: Cinema: New Picture, Jan. 12, 1948 | 1/12/1948 | See Source »

...these close-ups function forcefully in the storytelling; but too many are as nonfunctional as her frequent changes of hairdo. It looks as if Hitchcock, one of the smartest directors of women in the business, had been required, in Valli's case, merely to glamorize a new Selznick star. Newcomer Jourdan does respectably by his limited chance-which is to look handsome and intense...

Author: /time Magazine | Title: Cinema: New Picture, Jan. 12, 1948 | 1/12/1948 | See Source »

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