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...Selznick called in Clark Gable, showed him a list of possible new directors. On Selznick's list were Robert Z. Leonard, Jack Conway, King Vidor, Victor Fleming. Asked to choose, Gable promptly named his great & good friend Victor Fleming, a big, grey, handsome, nervous, highly efficient Hollywood veteran, who has pulled through such problem pictures as The Crowd Roars, The Great Waltz, The Wizard of Oz, recently directed two of M.G.M.'s greatest moneymakers, Captains Courageous, Test Pilot. On Feb. 27, Fleming started the cameras rolling. Conscientious Craftsman Fleming drove his company hard...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

...more all-day all-night sessions, Fleming and Selznick worked with cutters, taking out, putting in, putting in, taking out, until they had a picture that ran just under four hours. They took this to Riverside, in the orange country, surprised fans there with a sneak preview. With them was Jock Whitney, who had not seen the film before. When the picture ended, tears were streaming down his face...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

Better than almost anybody who worked with him, Producer David Selznick sensed that the first rule in retelling a legend is exactly the same as retelling a fairy tale to children-no essential part of the story must ever be changed. In the film, none...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

...cinemillions had already unanimously voted that Clark Gable must play Rhett Butler. Selznick also bowed to them when he cast Olivia de Havilland as sweetish, big-eyed, thrushlike Melanie Hamilton, Leslie Howard as smooth, anemic, intellectual Ashley Wilkes, Laura Hope Crews as futile, flustered foolish Aunt Pittypat. Two of Selznick's minor castings were inspired: 1) Thomas Mitchell as old hard-riding Gerald O'Hara, who (after his mind is gone) by sheer power of pantomime dominates the scenes in which he has almost nothing to say or do; 2) colored Cinemactress Hattie McDaniel, who comes from Kansas...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

Though delighted Georgians clapped, cheered, whistled and wept at the historical sequences, Northerners might not. There had been protests from daughters of G. A. R. veterans. But David Selznick was not worried. The advantage of film ing two great legends in one picture was that he had two great pictures - a sure fire Rebel-rouser for the South, a sure fire love story for the rest of the country...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

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