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Scarlett. Midway in producing G With the W, Producer Selznick decided he was in no hurry to get going. The novel was too fresh in people's minds, which meant that they would be critical of any picturization no matter how good. Selznick still had nobody to play Scarlett O'Hara, and for more than two years he maintained himself in this useful and exciting dilemma with tenacity and an astute sense of showmanship. Polls were taken, scouts were despatched, a play about the search was written, had been running two months-and still no Scarlett...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

...Selznick therefore had to drive as shrewd a bargain as possible with Loew Inc., the parent organization of M.G.M., to whom Clark Gable was under contract. The terms were hard: 1) M.G.M. to have exclusive distribution rights for Gone With the Wind and a sizable interest in the profits; 2) M.G.M. to finance the picture to the tune of $1,250,000; 3) Gable to begin work for Selznick by Feb. 15, 1939. He was not to be kept beyond a reasonable time...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

Forty Acres is the back lot of Selznick Studios in Culver City. Until the night of Dec. 11, 1938 it was cluttered with old sets accumulated during 20 years of movie making. These sets were laboriously filled with waste and other inflammable materials, well soaked with kerosene. As darkness fell, the $26,000 bonfire roared sky-high while seven Technicolor cameras ground away. The first scenes of Gone With the Wind had been shot. A flat representing the Atlanta warehouse district was constructed in front of the old sets. In the light of the dying flames Myron Selznick, Hollywood...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

...Women. On Jan. 26, 1939, Cukor began directing with a very incomplete script. Trouble started at once. Selznick was not satisfied with the results which Cukor, a specialist in intimate scenes, especially with women, was getting. Selznick felt that Cukor did not get the "big feel" of Gone With the Wind and worked too slowly...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

When Cukor "resigned," Vivien Leigh and Olivia de Havillanc? charged into Selznick's office and in an emotional, sometimes tearful scene, pleaded with him to keep Cukor. Being smart women as well as capable actresses, they realized that the chances of getting another director with the same peculiar interest in women's roles were very slim. But they were fighting a lost cause...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

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