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While the Stars and Bars flapped from every building, some 300,000 Atlantans and visitors lined up for seven miles to watch the procession of limousines bring British Vivien Leigh (in tears as thousands welcomed her "back home"), Clark Gable, his wife Carole Lombard, Producer David O. Selznick, Laurence Olivier and others from the airport. Crowds larger than the combined armies that fought at Atlanta in July 1864 waved Confederate flags, tossed confetti till it seemed to be snowing, gave three different versions of the Rebel yell, whistled, cheered, goggled...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

Selzniclc's Headache. Seventy-five years after the defeated Confederates trudged out of Atlanta singing Maryland, My Maryland, Producer David 0. Selznick received one of the most ecstatic business telegrams ever sent. It was sent by Kay (for Katherine) Brown, Eastern Story Editor of Selznick International Pictures. She said: "We have just airmailed detailed synopsis of Gone With the Wind by Margaret Mitchell, also copy of book. ... I beg, urge, coax and plead with you to read this at once. I know that after you read the book you will drop everything...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

...Selznick read the synopsis. With the sad fate of So Red the Rose in mind, he was in no hurry to pay $50,000 for another Civil War book, and a first novel to boot. But when Selznick International's Board Chairman John Jay ("Jock") Whitney offered to buy the novel on his own, Selznick, saying, "I'll be damned if you do," closed the deal. Then he took the book on an ocean voyage to Honolulu to see what he had bought...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

...finished it a week later. That was Producer Selznick's first inkling that Gone With the Wind held almost as many headaches for him as it had pages. First thing he saw as clear as the Hawaiian sunshine was the hopelessness of trying to make a film of conventional length...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

...late leggy, lantern-jawed Sidney Howard was one of the ablest, most dependable scripters who ever turned his successful plays into equally successful movies (The Silver Cord, Yellow Jack, Dodsworth). Selznick considered Playwright Howard "a great constructionist" and turned to him in his hour of need. After a brief total immersion in Gone With the Wind, Sidney Howard arrived in Hollywood in the spring of 1937. With Selznick's famed marked copy of Gone With the Wind as a starter, Selznick, Howard and George Cukor (to supply the director's angle) spent twelve hours of a series...

Author: /time Magazine | Title: Cinema: G With the W | 12/25/1939 | See Source »

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