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...Last week the country's biggest cinemansion, New York's Radio City Music Hall, exhibited the best answer to the problem that Hollywood has made in 1936. It was The Garden of Allah, third cinema version of Robert Hichens' 1907 best seller, produced by Selznick International Pictures, Inc. in six months for $2,200,000. In full color, against a blazing background of North African (Arizona) and, The Garden of Allah, directed by Richard Boleslawski, exhibits Marlene Dietrich, Charles Boyer and an imposing supporting cast in a story whose most important feature is the moral...

Author: /time Magazine | Title: Cinema: The Garden of Allah | 11/30/1936 | See Source »

Deserting his family's potent American Smelting & Refining Co.. M. Robert Guggenheim Jr., 25-year-old nephew of one-time Ambassador to Cuba Harry F. Guggenheim, closed up his Salt Lake City house, went to Hollywood, took a job as call boy for Selznick International Pictures...

Author: /time Magazine | Title: People, Nov. 2, 1936 | 11/2/1936 | See Source »

...Selznick International Pictures...

Author: /time Magazine | Title: Letters, Oct. 12, 1936 | 10/12/1936 | See Source »

...change in the producers' lineup was announced. Finding his Pioneer Pictures handicapped by producing color pictures only, John Hay ("Jock") Whitney finally merged it with Selznick International, David Selznick heading the combine with Merian Cooper and Henry Ginsberg at his side. All releases will be through United Artists, Mr. Whitney's contract with RKO-Radio being allowed to lapse...

Author: /time Magazine | Title: Cinema: Plots & Plans | 6/29/1936 | See Source »

Pictures depend upon the haloed sentimentality of its source, Producer Selznick has made this picture much more than a stock sample of Hollywood lavender & old lace. Although it exudes the nostalgic charm that has proved so palatable to cinemaudiences in adaptations of other Victorian classics, it is essentially not the story of a little boy's exaggerated devotion to his mother but that of a Brooklyn urchin who makes good in the old country. Handsomely rewritten for the screen by Hugh Walpole, beautifully staged, and superbly directed by John Cromwell, it affords proof that Selznick International...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 23, 1936 | 3/23/1936 | See Source »

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