Word: semantics
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Dates: during 1970-1970
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...White wanted to point out man's rejection of the ideal human form, he should have placed Thomas Weir's wide-angled distortions next to an erotic Felician Rops engraving (especially Weir's "Untitled" [1967], next to "Satan Semant d'Ivraie" from Rops' Diabolique series). And Brian M. Katz's "Appearing Out Of," if juxtaposed with Henry Fuseli's 18th century painting "The Nightmare," would certainly illustrate distortions of reality...
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