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Shortly before Recorder Mapleson died, in 1937, a deaf but diligent phonographic antiquarian named William H. Seltsam got permission to go through the Mapleson records. There, Collector Seltsam found not only peeping vocal relics of such golden-agers as Emma Eames, Johanna Gadski, Marcella Sembrich, but 16 records of the otherwise unrecorded* Jean de Reszke. Thrilled Phonographer Seltsam started raising money to re-record Mapleson's de Reszke samples on modern discs...

Author: /time Magazine | Title: Music: Antique Voice | 1/1/1940 | See Source »

Lieder-singing takes a lot more doing than run-of-the-opera-house singing, and great Lieder singers are rare. Even world-famous opera stars come a cropper when they attempt Lieder; only a handful of them (Marcella Sembrich, Ernestine Schumann-Heink, Lotte Lehmann) have ever satisfied the connoisseurs. Most great Lieder singers are specialists. Greatest of them in recent years have been: i) Dr. Ludwig Wüllner, who started life as a professor of philology in Münster, toured the U. S. in 1908-10; 2) Julia Gulp, a Dutch contralto (originally a violinist as well...

Author: /time Magazine | Title: Music: Lieder Singer | 3/7/1938 | See Source »

Henderson and Aldrich were the last survivors of a critical age rich and already remote. They moved freely and importantly in the world of Henry Edward Krehbiel. Philip Hale, James Gibbons Huneker, Henry Theophilus Finck. Patti was more than a name to them, and Sembrich a vivid, unforgettable presence. Each had worked tirelessly to establish Brahms in the U. S. Each had seen Debussy's worth when inferiors were yelping about his "decadence" and "lack of form." The great fight over Wagner was no legend to them: they had helped...

Author: /time Magazine | Title: Music: Silenced Oracles | 6/14/1937 | See Source »

Columbia's Victor Shertzinger writes songs (his bestseller: Marcheta) and directs Grace Moore's pictures. He began his musical career as a boy violinist, toured with Nordica, Sembrich, Calve. As a director he made 21 of the old Charles Ray comedies. But composing was more to his liking. He does most of his work on his pipe organ at home, tries his tunes out on his daughter Paula...

Author: /time Magazine | Title: Music: Millworkers | 3/23/1936 | See Source »

After the performance last week there was a family reunion, quiet talk of the mother who died two years ago, of Marcella Sembrich who was Dusolina's teacher, of the late Daniel Mayer, the manager who started her on her career, made it his business to see that she read profitable books, helped her with her programs and her costumes, developed her taste. Absent also was Brother Vittorio, now a recognized composer studying in Italy on a Pix de Rome fellowship...

Author: /time Magazine | Title: Music: Aida from Philadelphia | 2/24/1936 | See Source »

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