Word: sembrich
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...when the British were fighting the Boers in South Africa. In Manhattan that year, Bernhardt and Coquelin were playing in repertoire. Mrs. Leslie Carter was Zaza and Ada Rehan was the talk of the town as Sweet Nell of Old Drury. At the opera it was the "Golden Age." Sembrich was singing and Fames, Ternina, Melba and the de Reszkés. It was before the time of Caruso, Fremstad and Tetrazzini. It was way back in the year of the now grandmotherly Louise Homer and of the Viennese Fritzi Scheff...
...Squirrel," "sunbeam," "little devil." These were some of the diminutives which were supposed to distinguish the saucy, small-voiced Fritzi from the big-chested titans of the opera. But diminutives did her no more harm than the rumored tiffs with Sembrich and Emma Fames, whose ears she claimed to have boxed. Instead they brought her a vogue all her own. After three years at the Metropolitan, Charles Dillingham offered her the then fabulous sum of $1,000 a week, a company of her own and roles made to order. Immediately, and despite the objections of her new husband, Baron...
...entrance qualification but merit. In 1923 such a school opened its doors -the Curtis Institute of Music, named in honor of Mrs. Bok's mother, consisting of three mansions donated by its founder in Rittenhouse Square. The first year's faculty included Josef Hofmann, piano; Marcella Sembrich, voice; Karl Flesch, violin; Leopold Stokowski, orchestra. By the end of its third year, Curtis Institute had taken its place as one of the leading schools of music in the world. In 1927, Mrs. Bok increased the endowment to a total of $12,500,000, announced the appointment of Mr. Hofmann...
Faust at the Metropolitan Opera House. Pupil of Marcella Sembrich, onetime member of the San Carlo and Cincinnati Zoo opera companies, Soprano Besuner displayed a pleasant voice, an excellent technique. The audience liked her. Maria Jeritza sent flowers, good wishes...
...Curtis Institute of Music (Philadelphia), endowed by Mary Louise Curtis Bok, wife of Publisher Edward William Bok, daughter of Publisher Cyrus Hermann Kotzschmar Curtis, boasts as imposing a staff as money can buy. Josef Casimir Hofmann is its director and heads the piano department. Marcella Sembrich is in charge of voice; Felix Salmond, 'cello; Louis Bailly, viola and chamber music; Carlos Salzedo, harp; Arthur Rodzinski. orchestra; Reginald O. Morris, theory and composition. Last week were added to the list Violinists Leopold Auer, now 82 years old, and Efrem Zimbalist, one of his many famed pupils, and Edward Bachman. Karl...