Word: semis
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Dates: during 1970-1979
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...Plotke goes on to say that the presentation of the paper to the government "amounts to secrecy," and in order "to publicly disclose" this "semi-secret paper" at the present time, "it was necessary to steal it." Mr. Plotke attempts to make something appear mysterious, secret, shady, and possibly illicit when it was in fact just the reverse. When I submitted the paper, AID did not stamp a security classification on it and hide it away in a safe. Instead. copies were distributed to the seventy-five academic and governmental members of the SEADAG Council on Vietnamese Studies and Committee...
...public exposure of a semi-secret paper by Huntington is thus worthy of attention, interesting for what it might point out about trends within American political science and within the foreign policy-making establishment. The paper, entitled "Getting Ready for Political Competition in South Vietnam," is a discussion of the political means available to the U. S. for preventing NLF dominance. In it Huntington examines various political settlements and goes on to investigate specific constitutional and electoral formulas...
...Plotke goes on to say that the presentation of the paper to the government "amounts to secrecy," and in order "to publicly disclose" this "semi secret paper" at the present time. "it was necessary to steal it." Mr. Plotke attempts to make something appear mysterious, secret. shady, and possibly illicit when it was in fact just the reverse. When I submitted the paper. AID did not stamp a security classification on it and hide it away in a safe. Instead, Copies were distributed to the seventy-five academic and governmental members of the SEADAG Council on Vietnamese Studies and Committee...
...forms Senelick has chosen to convey ritual are highly derivative: he has borrowed Oriental Kabuki gestures for Oedipus and locasta, and this works very well, stylizing their "act" of semi-divinity almost to satire. For the Chorus he has assimilated the chanting and stick-beating rhythms of the Open Theater, the serpentine body piles of the Living Theater, and the copulation mime of Marat/Sade. All are dramatically sound, but one is aware of their unoriginality...
...WASN'T always this way. Doug came to Harvard like most other people-the pride of his large public high school, semi-athletic, a go-getter, eager to learn about the cinema. But, during freshman year, he began to notice the audacity, and even stupidity, of certain demands Harvard made on him. When his expose section man asked for a paper comparing Catcher in the Rye and Lord of the Flies, Doug wrote mainly about the covers ("One is red with white type, one is white with red type..."), and the section man nearly flunked him. Soon Doug started...