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Word: semprun (lookup in dictionary) (lookup stats)
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...things can go no farther than Z: the alphabet and the ideological film. Traditionally, political movies tend to be newsreels with strident sound tracks or windy polemics pretending to be conversation. Scenarist Jorge Semprun (La Guerre Est Finie) knows better. So does Director Costa-Gavras (Sleeping Car Murder), who correctly calls Z an "adventure film" against a system...

Author: /time Magazine | Title: Cinema: Echo Chambers of Horror | 12/5/1969 | See Source »

...ways than one: between Spain and France, between youth and age, between the old Spain of the International Brigade and the new one of tourist paradises, between his settled love for Marianna and his yearning for the uncomplicated youth of Nadine." Given this dilemma, Resnais and screen-writer Jorge Semprun probe the nature of commitment to a cause, and the necessity of commitment even to a lost cause in order to live with self respect. This is a Fritz Lang theme, but where Lang sees commitment as necessary but essentially futile, Resnais and Semprun find for Diego, in Milne...

Author: By Tim Hunter, | Title: The Ten Best Film of 1967 | 1/5/1968 | See Source »

...finally bought a one-way ticket home. The official French entry at last May's Cannes Festival, La Guerre was withdrawn from competition under pressure from Spain. It is easy to see why: the villain of the piece is all too clearly the Franco government. Yet as Jorge Semprun's script makes clear, the revolutionists are not precisely heroes either. In the film's most insightful scene, Diego confronts a group of young incendiaries hell-bent on burning Spain to the ground. Both sides are presented as helpless amputees of history; the old rebel has a past...

Author: /time Magazine | Title: Cinema: Rebel Without a Pause | 2/3/1967 | See Source »

...official French entry at last May's Cannes Festival, La Guerre was withdrawn from competition under pressure from Spain. It is easy to see why: the villain of the piece is all too clearly the Franco government. Yet as Jorge Semprun's script makes clear, the revolutionists are not precisely heroes either. In the film's most insightful scene, Diego confronts a group of young incendiaries hell-bent on burning Spain to the ground. Both sides are presented as helpless amputees of history; the old rebel has a past but no future, the terrorists a future...

Author: /time Magazine | Title: Cinema: Reality on the Rocks | 2/3/1967 | See Source »

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