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After Greenwillow, a daring flop, and How to Succeed, his longest-running hit, Loesser worked on two more shows: Pleasures and Palaces, which closed in Detroit, and Senor Discretion, for which he had composed drafts of all the songs. This workaholic was a smokeaholic too; in his study, cigarette butts would pile up like a Watts Tower of spent nicotine. Loesser called them coffin nails, and he was right: he died of lung cancer...

Author: /time Magazine | Title: The Most Snappy Fella | 9/16/1991 | See Source »

...cast. Even the racial epithets have a jaunty tinge, as in a series of antibrotherhood jokes made by blacks, Italians, Hispanics, white cops and Korean grocers -- the film's best sequence. On this street there are no crack dealers, hookers or muggers, just a 24-hour deejay named Mister Senor Love Daddy (Sam Jackson), who punctuates every mellow bellow with "And that's the truth, Ruth...

Author: /time Magazine | Title: Cinema: Hot Time in Bed-Stuy Tonight | 7/3/1989 | See Source »

...Behind the camera, Lee wants the same thing: to create a riot of opinion, then blame viewers for not getting the message he hasn't bothered to articulate. Though the strategy may lure moviegoers this long hot summer, it is ultimately false and pernicious. Faced with it, even Mister Senor Love Daddy might say, "Take a hike, Spike...

Author: /time Magazine | Title: Cinema: Hot Time in Bed-Stuy Tonight | 7/3/1989 | See Source »

...candidate for a physical-rehabilitation class. A little flame and no shame. Slick stepping and sexy navigating, with no bruised knees. And no characters on the floor making jokes about the rhythmic capabilities of most native North Americans. "It's a very simple dance, not complicated," says Gloria Senor, who, with her husband, runs a dance band in Miami. "It's a two-step." It's the merengue. It's bliss...

Author: /time Magazine | Title: Living: You Can't Stop Dancing | 10/6/1986 | See Source »

...collected dummies from 1916 until his death in 1972. In one room of the museum, scores of dummies sit on folding metal chairs. The effect, on anyone who came along in the high celebrity days of Edgar Bergen and Charlie McCarthy and Paul Winchell and Jerry Mahoney and Senor Wences too, is bizarre. Lacking animation, still, with their eyes wide as silver dollars and their goofy grins, they lend the room an air of the grotesque...

Author: /time Magazine | Title: In Kentucky: 600 Unmoved Lips | 9/22/1986 | See Source »

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