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...bird, a bristle of lines for a star, a target for a breast-were images deeply lodged in the racial unconscious. Those included sexual symbols. There is scarcely a Miró painting that does not somewhere contain his icons for the female and male genitals, as isolated from sensual context as the biologist's symbols, and just as unvoluptuous. Male phalluses are always limp, and female vaginas sharp-edged and abstract, even when surrounded by flaring flames. "The sex organ has a poetic power, like a comet," Miró says. Those figures - sometimes gay, sometimes grotesque - that posture against...

Author: /time Magazine | Title: Art: Voyager into Indeterminate Space | 4/28/1980 | See Source »

Despite Barbarians' three-hour evocation of a technologically doomed milieu, the most vivid image in the play is that of a woman burning with fitful passions. As a teasing agent provocateur of sex, Nadezhda, played with sensual animal magnetism by Sheila Allen, is a queen bee killer. Her husband, Monakhov (Brian Murray), whom she loathes, pleads for her love, holding his spectacles in his hand like a beggar with a tin cup. The seemingly amour-proof Tsyganov offers to sweep her off to Paris and is crushed by her cruel rebuke that at 49, he is disgustingly old. Under...

Author: /time Magazine | Title: Theater: Yoked Animals | 4/28/1980 | See Source »

...face in the audience to a medium shot of half-naked dancers reaching to two glistening torsoes intertwined--rhythmically tantalizing, exhaustingly erotic, you hang on every suspended limb. What a shame the number ends on a preachy note, something about taking you everywhere and getting you nowhere: the most sensual of show-biz choreographers dumping on his most sensual number for the sake of a few themes...

Author: By David B. Edelstein, | Title: Gideon's Babble | 2/25/1980 | See Source »

Forbert's songs often contain sensual imaginative passages, but he never extends his melodic inspiration through an entire number. The evocative refrain of "Make it all so real" is made numbing by sheer repetition. And he squelches another glimmer of inspiration, the opening bars of "Romeo's Tune" with similar redundancy. This song, the album's current hit, features a handful of lilting syntheziser phrases evocative of young lover's passion. Forbert can't vary these phrases, however; they recur ad nauseum...

Author: By Esme C. Murphy, | Title: Jackrabbit Slick | 2/16/1980 | See Source »

Heaney attends to the sensual in these lines; but more significantly he yearns for the easier life. He pleads for the days gone by, hoping to stand again at the crossroads of his decision to be an artist...

Author: By James L. Cott, | Title: Ireland's Second Coming | 2/6/1980 | See Source »

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