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Word: sensualism (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...stuff was a poor substitute for the celebrated Ukiyo-e erotica of the era before the first Westerners arrived more than a century ago. In the 1700s and early 1800s, when the great samurai families ruled the peaceful, isolated island nation, Japanese artists celebrated sex in extraordinarily direct and sensual prints and woodcuts. Every well-bred virgin was given at least one graphically instructive makura-e (pillow picture) as part of her trousseau. "There was no hypocrisy," says Ukiyo-e Scholar Teruji Yoshida. "These artists dealt with the pleasures of sex as matter-of-factly as if they were dealing...

Author: /time Magazine | Title: JAPAN: The Decline of Sex | 7/31/1972 | See Source »

...awkwardness. Kiyoaki is stupefyingly narcissistic, and unfortunately so is the author. He pauses so often to admire his hero and his school friends that at times the prose itself resembles a drowning pool. Some of this satiety may be chargeable to a wordy, flaccid translation. Occasionally, however, Mishima produces sensual writing of great delicacy. Looking at two Siamese princes, Kiyoaki reflects: "Such skin must surely seal within itself a cool darkness and constantly refreshes these young men, like a luxuriant shade tree...

Author: /time Magazine | Title: Books: Pennant in the Wind | 7/10/1972 | See Source »

HITCHCOCK doesn't work with the aspirations of an artist, and I think any of his real achievements may be racked up as happy accidents. There is a thin line in entertainment between sensual indulgence and out-and-out voyeurism; an artist transcends these categories by the necessities of his statement or his vision, but the showman has to rely on his taste, and when Hitchcock has consciously worked on the level of a thrill-show con-man--as in The Birds--he's been at his worst...

Author: By Michael Sragow, | Title: Frenzy | 7/7/1972 | See Source »

Hollywood's dark-haired onetime sex symbol, doe-eyed Hedy Lamarr, claims that the book billed as her "autobiography," Ecstasy and Me, My Life as a Woman, is "an obscene, shocking, scandalous, naughty, wanton, fleshy, sensual, lecherous, lustful and scarlet" treatment of her life. So for the second time she slapped a libel suit on its publisher and two coauthors, whom she accuses of distorting interviews with her -this time for $21 million. Still no cigar. The New York Court of Appeals has dismissed the case-not because the book isn't obscene, shocking, scandalous, etc., but because...

Author: /time Magazine | Title: People, May 15, 1972 | 5/15/1972 | See Source »

...George Roy Hill, the film is alternately flashy and mean spirited. In one scene the audience is invited to have a few laughs over the blubbering anxiety of Billy's wife (Sharon Gans) as she races recklessly to visit him in the hospital. Valerie Perrine is charming, sensual and funny as Mon tana, and Ron Leibman and Eugene Roche struggle valiantly to pump life into the roles of Billy's fellow prisoners. Michael Sacks, in his first screen performance, seems desperately in need of vocational guidance...

Author: /time Magazine | Title: Cinema: Lost in Space | 4/10/1972 | See Source »

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