Word: sensuality
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Dates: during 2000-2009
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...replies, "You don't need a gun." Later, teary and sexy, she cuddles up to Joe, who mutters, "I'm not worth it." "Oh yes you are," she whispers intensely. (But O'Keefe is right: he doesn't deserve to share a two-shot with the classy, sensual Hunt.) At the end Ann sees the light, and switches from kisses to the big kiss-off: "I may have romanticized you before, but now I know you. You're something from under a rock...
...With its gorgeous image-making, Vula is a sensual antidote to the geopolitical seriousness of much of the 2006 Biennale of Sydney, which opened last week. While the piece hovers between theater and dance, it fits in perfectly with artistic director Charles Merewether's "Zones of Contact" theme, which seeks to introduce audiences to world cultures not often presented in a contemporary-art context. Just as Palestinian artist Raeda Saadeh makes viewers peer through wardrobe doors to see her recreated lounge room, so Vula director Nina Nawalowalo immerses audiences in the Pacific flow...
...this full-fat food issuing from the kitchens of these gorgeous, tiny women. On a 2004 episode of Everyday Italian, De Laurentiis made two rich stuffed pastas as well as cheese sticks "to sop up all the sauce ... Who doesn't love stuffed shells?" she asked in her sensual TV voice. "Gooey, aromatic cheese wrapped in a luxurious, firm pasta shell." Are we still talking about food here...
...choreographer who founded the first black modern-dance company and influenced artists from Alvin Ailey to James Dean with her Dunham Technique, a blend of Afro-Caribbean folk, classical and modern movement; in New York City. The exacting "Miss D" worked on Broadway and in Hollywood, and staged sensual, often political pieces?1951's Southland depicted a lynching?that delighted and jarred audiences. The National Medal of Arts recipient was equally ardent about the world in which her art was received. She founded a school in impoverished East St. Louis, Ill. In Haiti, where she had a home, she trained...
...choreographer who founded the first black modern-dance company and influenced artists from Alvin Ailey to James Dean with her Dunham Technique, a blend of Afro-Caribbean folk, classical and modern movement; in New York City. The exacting "Miss D" worked on Broadway and in Hollywood, and staged sensual, often political pieces--1951's Southland depicted a lynching--that delighted and jarred audiences. The National Medal of Arts recipient was equally ardent about the world in which her art was received. She founded a school in impoverished East St. Louis, Ill. In Haiti, where she had a home, she trained...