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Word: sensuality (lookup in dictionary) (lookup stats)
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Even further removed from aesthetic or social sense is Mailer's assay of Henry Miller. More than 40 years ago, when it was bold to praise Tropic of Cancer, George Orwell wrote that Miller's value lay in his very ordinariness: " 'The average sensual man' has been given the power of speech, like Balaam's ass." That is not an inconsiderable gift, but Mailer will not be content with it. To him, "one has to take the English language back to Marlowe and Shakespeare before encountering a wealth of imagery equal in intensity...

Author: /time Magazine | Title: Books: Adrenaline and Flapdoodle | 6/28/1982 | See Source »

...transcendental illumination, exactly. Transcendentalism was a short-lived American moonshine. Emerson's light is brighter. It glows with an eerily sweet intelligence and morning energy. Emerson's sentences make a moral flute music-prose as a form of awakening. They move in a dance of sensual abstractions, small miracles of rhetoric. He had no genius for massive literary architecture; he dealt in the lustrous fragments of his essays, in a succession of quiet flashes...

Author: /time Magazine | Title: Essay: The Bishop of Our Possibilities | 5/10/1982 | See Source »

...squirrel, carstunned and lost" she writes in "Manhattan As A Second Language." Asides in poetry are always dangerous, but when Harris writes in the first person she deals successfully with complex, convoluted images without losing the thread of her poetry. In "The Coddling Moth," she successfully creates a complicated, sensual comparison between a man and a moth, follows the moth into an apple grove, and leaps to agricultural science, throwing in the sarcastic lines "Polson pussy/synthesized and bottled." Then she returns to the man the poem describes, without ever confusing her images. In another poem, she addresses a snake, mocking...

Author: By Naomi L. Pierce, | Title: Urban Imprisonment | 4/7/1982 | See Source »

Armani works hard on details to make this man-tailoring feminine, and has no patience with notions of unisex dressing ("I say, 'Vive la différence,'don't mix the sexes"). Indeed, his women's clothes are sensual without being overtly sexual, just as his men's wear maintains a certain roughed-up panache, whether it is meant to be dressy or sporty. He has also been warring against what he calls "suit slavery," pushing toward a time "when you make your own eclectic and very subjective definition of style. A suit...

Author: /time Magazine | Title: Giorgio Armani: Suiting Up For Easy Street | 4/5/1982 | See Source »

Warm, human Primo provides the one bright spot in this flawed drama Best known to American audiences for his lead role in La Cage Aux Folles unshaven Ugo Tognazzi in baggy corduroys portrays Primo's working class origins as sensual and simple Primo imbodies an earthiness once quieter and more passionate than the mysteria of his aging but staff beautiful wife Barbara (Anoak Ainee...

Author: By Clea Simon, | Title: A Pointless Labyrinth | 3/25/1982 | See Source »

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