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...With its gorgeous image-making, Vula is a sensual antidote to the geopolitical seriousness of much of the 2006 Biennale of Sydney, which opened last week. While the piece hovers between theater and dance, it fits in perfectly with artistic director Charles Merewether's "Zones of Contact" theme, which seeks to introduce audiences to world cultures not often presented in a contemporary-art context. Just as Palestinian artist Raeda Saadeh makes viewers peer through wardrobe doors to see her recreated lounge room, so Vula director Nina Nawalowalo immerses audiences in the Pacific flow...

Author: /time Magazine | Title: Lunar Attraction | 6/12/2006 | See Source »

...this full-fat food issuing from the kitchens of these gorgeous, tiny women. On a 2004 episode of Everyday Italian, De Laurentiis made two rich stuffed pastas as well as cheese sticks "to sop up all the sauce ... Who doesn't love stuffed shells?" she asked in her sensual TV voice. "Gooey, aromatic cheese wrapped in a luxurious, firm pasta shell." Are we still talking about food here...

Author: /time Magazine | Title: 2 Thin Chefs | 6/11/2006 | See Source »

...choreographer who founded the first black modern-dance company and influenced artists from Alvin Ailey to James Dean with her Dunham Technique, a blend of Afro-Caribbean folk, classical and modern movement; in New York City. The exacting "Miss D" worked on Broadway and in Hollywood, and staged sensual, often political pieces?1951's Southland depicted a lynching?that delighted and jarred audiences. The National Medal of Arts recipient was equally ardent about the world in which her art was received. She founded a school in impoverished East St. Louis, Ill. In Haiti, where she had a home, she trained...

Author: /time Magazine | Title: Milestones | 5/29/2006 | See Source »

...choreographer who founded the first black modern-dance company and influenced artists from Alvin Ailey to James Dean with her Dunham Technique, a blend of Afro-Caribbean folk, classical and modern movement; in New York City. The exacting "Miss D" worked on Broadway and in Hollywood, and staged sensual, often political pieces--1951's Southland depicted a lynching--that delighted and jarred audiences. The National Medal of Arts recipient was equally ardent about the world in which her art was received. She founded a school in impoverished East St. Louis, Ill. In Haiti, where she had a home, she trained...

Author: /time Magazine | Title: Milestones Jun. 5, 2006 | 5/28/2006 | See Source »

...Baker, later nicknamed "the Black Venus," left the U.S. for France while still a teen, seeking the relative racial freedom of the Parisian stage. Her sensual style of dance quickly won over the city and made her a star. During the late 1920s, she was said to be the highest-paid entertainer in Europe and was certainly among its most photographed?inspiring fashion designers and a frenzy of suitors (she received around 1,500 marriage proposals). Baker was active in the French resistance in World War II?often smuggling coded messages on sheet music?and remained a lifelong fighter against...

Author: /time Magazine | Title: Dance of Life | 5/21/2006 | See Source »

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