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Despite its convoluted narrative, "Helas Pour Moi" is visually mesmerizing. Stunningly photographed on the banks of a Swiss lake, with vivid, rippling blue water and fields of poppies, the film looks gorgeous. The cinematography, combined with the Bach, Beethoven and Tchaikovsky soundtrack, makes the movie a sumptuous, sensual experience. The performances are also superb. Instead of being loud and bombastic, Depardieu's performance is unusually restrained and quite compelling...

Author: By Rachel E. Silverman, | Title: 'Helas' for the Audience | 12/1/1994 | See Source »

Caughey gives one of the play's best performances as the threateningly sensual Val. He captures the character's odd brand of innocence as well as the raw sexuality which makes him so appealing to Lady. Melanie Martinez gives a subtle and moving performance, embodying the queer mixture of honesty and artifice that constitute Lady Torrence's character. Somewhat less successful is Liz Amberg as Carol Cutrere, a woman whose shameful past and rebellious nature both frighten and fascinate the towns "respectful" citizens. The actress' performance doesn't always have the power to sustain the scenes where Carol acts...

Author: By Daley C. Haggar, | Title: Powerful Orpheus Descending Gets Down | 11/17/1994 | See Source »

European masters endeavored to create visions of sensual paradise concurrent with the political utopianism of the age by arraying dabs of pastel to convey gardens, canals and the like while subject, style, and color coaxed and relaxed viewers into bubble-bath bliss. American painters such as Walter Farndon, N.A., took a while to learn of the trends emanating from the Romantic school, but were not long to follow suit...

Author: By Thomas Madsen, | Title: Yankee Impressed | 11/3/1994 | See Source »

Familiar from its various stage and cinematic incarnations, Liaisons, sung in English, is an extravagant chess match of check and mate -- and mate and mate. The Marquise (mezzo Frederica von Stade, in top form) is an archmanipulator who wields her sensual allure like a double-edged sword, encouraging her lover's worst instincts as she wreaks her revenge on society. Her foil, the unapologetic knave Valmont (the splendid baritone Thomas Hampson), is a cynical womanizer who makes the fatal mistake of falling in love with one of his victims, unwisely and too well. Who is worse? The amoral rake...

Author: /time Magazine | Title: MUSIC: The Mating Game | 9/26/1994 | See Source »

...Piano" has the quality of a comet bursting forth in a year in which cinematic greatness has been rare. It showcases a sensual and poetic sensibility which has for the most part been absent in the history of film. In order to do this, the movie takes many risks, and brings them off spectacularly. Jane Campion has fashioned a masterpiece, one woman's private symphony. Let yourself be seduced by the wondrous music of the peerless "Piano...

Author: By Joel Villasenor-ruiz, | Title: Campion's 'Piano' Plays at the Brattle | 8/5/1994 | See Source »

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